http://bonhomme7h.livejournal.com/ (
bonhomme7h.livejournal.com) wrote in
multiversallogs2011-08-08 08:05 pm
Entry tags:
- @ mog hill,
- @ mog hill: apache,
- anna demirovna,
- ava lockhart,
- charles xavier,
- hellboy,
- ilde decima,
- ivan,
- jack benjamin,
- james t. kirk,
- jones,
- npc,
- rachel conway,
- raylan givens,
- solomon koenig,
- sonja garin,
- { boromir,
- } adrian veidt,
- } aimery le gode,
- } alan shore,
- } arthur,
- } asbjørn strand,
- } brie cormac,
- } cindy,
- } edward nigma,
- } isobel saltzman,
- } jack harkness,
- } lex luthor,
- } mabel albans,
- } narcissa black,
- } njoki rainmaker,
- } pickman,
- } remy lebeau,
- } rochelle,
- } ruby van alst,
- } réjean sept-heure,
- } sebastian lemat,
- } toshiko sato,
- } wanda maximoff
It's like paradise, spread out with a butter knife :: [OPEN]
Who: EVERYONE
What: Réjean has decided that more people ought to celebrate and help raise a bit of dosh for one of his favourite bars. See: flyer.
Where: The Apache.
When: Misdi night and into the wee hours of the morning.
Warnings: Discussion of Pickman's manky feet.
The Apache is much the same as it always is: dimly lit, with the jukebox playing in the background, and the bartender serving whatever's on tap. Tonight, the bar is packed with people from all across the city, different cantons and cohorts, all out to celebrate surviving the fungal plague. Patrons are encouraged to buy tickets for a door prize with the proceeds going to repair the damage tunnelling ants made to the cellar.
What: Réjean has decided that more people ought to celebrate and help raise a bit of dosh for one of his favourite bars. See: flyer.
Where: The Apache.
When: Misdi night and into the wee hours of the morning.
Warnings: Discussion of Pickman's manky feet.
The Apache is much the same as it always is: dimly lit, with the jukebox playing in the background, and the bartender serving whatever's on tap. Tonight, the bar is packed with people from all across the city, different cantons and cohorts, all out to celebrate surviving the fungal plague. Patrons are encouraged to buy tickets for a door prize with the proceeds going to repair the damage tunnelling ants made to the cellar.

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While alcohol may cost money, browsing is free. He finds the jukebox and begins flipping through the song selections, wearing a slight frown. He doesn't recognize any of the selections and while the song currently playing is catchy, it has a rhythm completely unlike what he is used to.
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"That's terrible," she says, pointing out a song. "I like this one better." It does not seem to occur to her to be concerned with whether or not he cares what she likes.
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"For such an upbeat tune, the words are a little sad. Is this song one you dance to?"
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He holds out a hand, arm wide in both sweeping invitation and as a means to separate them should the young woman prefer her personal space. "I'm afraid I'm still a bit lost. Would you be so kind as to show me?"
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She blinks, and then frowns slightly. "You're not-- hm. Where'd he--?" She scans the people surrounding them, craning her neck. "I wasn't gone that long, seriously, some people's impatient kids... Okay, screw it. If he can't stay in one place, he can't have a beer."
She holds out the pint she'd tapped him with, offering a warm smile to go along with. "Want a beer?"
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"Oh, yes, thank you," he says as he accepts the glass. "Rachel, isn't it? Do forgive me if I'm speaking out of turn, but you are even more ravishing in person than you are through video."
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"You're not-- I mean-- Charles, right? The professor. At the university, how's that going? Did you start? Do you like it? It must've been a relief to be able to find something that was like, so suitable, so quickly. So many people don't. Not that that's got anything to do with you. Sorry. I'm happy for you and I hope it all works out. So that's a celebratory beer you're now holding, see, it all worked out. Also thank you. For the-- that was nice of you to say. And not out of turn. At all. Um."
Sorry, Charles. Someone has a bad habit of just sort of running off at the mouth when she's flustered, and surprise compliments from charming men are flustering enough without them coming on top of a couple hours' drinks too.
"...Hi. It's nice to finally meet you in person."
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"And to answer your questions, as best as I can at any rate: yes, I am Charles the professor. I was lucky enough to get hired on just before the start of term, so yes, I have started. I enjoy it very much and I would be more than pleased to celebrate with someone such as yourself."
"I think that about does it. Cheers?" He lifts his glass to her and does nothing to hide a cheeky grin.
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He notes the man, notes the frown, and nods amiably at the assortment of knives dangling (all right, fine, they appear to be held firmly in place) from the walls. "Which do you suppose is the pizza slicer?"
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He looks up at the knives, pondering the question with thought, but not sincerity. "I would have to say the one with the concave blade and jagged edges. It looks like it was made to battle quite the slab of cheese."
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"You think?" he asks, cocking his head to one side and turning the same gaze--assessing, mildly interested--on the stranger. "Myself, were I called upon to subdue a block of cheese, I'd favor something likely to make a cleaner cut. Alan Shore, by the way," he adds, with scarcely a pause, as if the shift from cheese combat to introductions is a perfectly natural one. He extends his hand.
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Not at all taken aback by the sudden shift in topics, Charles accepts the offered hand and gives it a firm shake. "Charles Xavier. What is it that you do that makes you such a cutlery expert? Certainly not a chef, that would be cheating."
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"Not finding anything you like?" he asks wryly, stopping near enough to the man to be heard without getting too much into his personal space.
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After that reply he realizes that it must only make sense in his train of thought. "I seem to be a bit more... displaced than others within the city. I'd rather not be lacking in what's perceived as common knowledge."
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"I wouldn't be too hard on yourself. You recognize a jukebox when you see one -- I've met a couple of people here who wouldn't be able to make that claim." He offers the hand not holding a glass. "Adrian Veidt. My own point of origin seems to be a little old-fashioned as well, considering, but if there's anything I can do to help, I hope you'll ask."
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"It's 1962 where I come from, might I ask of your own whereabouts?"
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He nods toward the jukebox and flashes a smile that finishes his sentence for him.
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He sidles up not far away and gives the younger (it's still weird) man a curious look. It may paint an odd picture, this rough-and-tumble looking man with red-on-black eyes sizing some dude up. Remy looks amused. God it's just weird, he's practically a kid.
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He calmly moves away from the jukebox to approach the stranger. "Is there something I can do for you?" It's a perfectly cordial question and Charles has enough confidence to believe he can handle himself should this man wish him harm.
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He smiles. It's weird hearing that, without the shadow of decades of pain and horror. Without the weight. Anyone else's smile might turn a little sad at the thought, but not his - it's not how Gambit rolls.
"Not yet, looks like. No worries, homme. You manage to stay out of trouble so far?" He asks that like it might be a sign of the apocalypse, if so.
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The question and the smile make him feel a little more at ease and Charles returns a smile of his own. "If trouble comes in the form of a beautiful woman at a bar, then no, I can't say I am." And obviously he's been drinking with a few of them. "Not that I'm not a good conversationalist, but I should hope that trouble finds you as well."
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