baedalites (
baedalites) wrote in
multiversallogs2012-02-10 06:39 pm
Entry tags:
- @ mog hill,
- @ mog hill: apache,
- anna demirovna,
- charles xavier,
- hasibe ozcelik,
- ilde decima,
- ivan,
- jae-hyun kim,
- james t. kirk,
- john mitchell,
- kalinda sharma,
- megan gwynn,
- odessa wander,
- rachel conway,
- shrieky,
- steve rogers,
- sunny,
- wolfgang einhorn,
- } ana lewis,
- } fauxlivia dunham,
- } hamilton fish,
- } kaitlyn quinn,
- } kate bishop,
- } leonard mccoy,
- } lily potter,
- } nicodéme sauvage,
- } nymphadora tonks,
- } pietro maximoff,
- } shawn spencer,
- } stephanie brown,
- } tadhg maceibhir,
- } william yao
OPEN :: A golden bird was singing
Who: Everyone!
What: St Kelley's evening
Where: The Apache and surrounding environs.
When: Veerdi evening.
Notes:
(1) The topic threads are just suggestions; if you've got somewhere else that your characters simply must be, make your own thread.
(2) All mementos will appear overnight in some part of your character's apartment.
(3) Dance!

St Kelley's is one of the more sedate occasions in Baedal, at least as holidays go. It passes more or less unnoticed by the majority of the population as many of them feel it doesn't concern them. It's not their holiday; it's for the others. Those with severed ties and broken hearts. The temple and church preach that it's a time for reflection or for glorifying the generosity of the gods. It's one of the few days on which no one looks askance at first generation Citizens mourning their missing loved ones publicly.
As night rolls around and floating lanterns are set to sea, the Apache in Mog Hill prepares to accept guests from the newer cohorts. It's something that happens every year, making it a practical tradition. The alcohol will be cheaper for first timers, and the music will be kept at a reasonable level.

no subject
It occurs to him that it's possible Fish finds the whole 'lost loved ones' thing to be the depressing part, however, so he gives a careful little wave of his hand, "I think probably those who find it very sad, must be those people who have been the most loved, in their lives." He smiles, a lazy, reassuring smile, "Not for me though, I think every part of these proceedings has been very enjoyable."
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"Well, hey, that's good... and actually, you're right about the fires. It did look kinda pretty out there. Like a fairy tale or something."
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He lowers the beer and rubs a thumb across his mouth, to dry away the excess, "How are things at the Inn? Have there been many new people lately?"
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He goes for a sip, pauses to add, "Maybe they try to pick people who won't freak out so much."
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He rests his chin on his hand, and watches Fish curiously. He's probably in a particularly good position to monitor the city's intake, now that Shrieky thinks about it. He wonders also, how calm Fish himself had been upon first arriving, but there is no non-creepy way to ask that question.
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"Maybe. It's kind of... I've got no fuckin clue, actually. But it's nice to think there's some kinda reason behind this. Like, any of it. Otherwise everything is literally pointless now. That's just how I feel about it, I dunno." Beer now. Beer go in mouth, stop words happening. (More words follow his swallowing anyway, but at least they're on a different train of thought.) "You took it pretty well, though. I mean, you seemed to be okay... uh, were you? Actually okay?"
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"I was okay, I mean, I am okay. I really didn't like where I was before, so coming here for me was really very lucky." He ran his tongue over his top lip, before venturing, "How about you? When you first arrived, were you all right?"
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"Uhhh, not really. I basically lost my shit." He seems sheepish about it now, as if reacting poorly to abduction through time and space is somehow worthy of shame. "Not, like... I didn't go berserk on anyone, or anything, but after the shock kinda wore off, it was pretty rough. And I was in my underwear when I got here. So that...happened..."
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He rests his elbow on the table, and frowns, "I was... ah, I don't know how you would phrase this exactly-- I spent my upbringing, and then most of my life in captivity." He doesn't sound upset about this, his tone is pretty matter of fact, "So, being taken somewhere against your will and not being able to leave? It didn't really come as much of a shock to me, as I imagine it must have done for a lot of people."
no subject
Also, behold his emphatic hand gestures! Fish seems to have Feelings about this. "Especially, like... you have feelings and stuff, like really obviously, it's not like you're some totally different, like, alien species that humans can't relate to. That's so shitty— oh, uh, I'm just like, assuming it was humans, sorry. Just, personal experience, they're pretty huge assholes a lot of the time." Feel free to contradict him, apparently.
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He drops his hands down to the table, and glances down at it a little uncertainly, "I don't hate them quite so much here, as I did there. Sometimes, I wonder if it was always apparent that I had feelings at first, because I didn't know how to speak, and I was very small. I think perhaps that's why people here treat me so differently."
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He looks determined, suddenly. "No, man. People here treat you different because those other people were sick fucks. You understand?"
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"Are you a human?" He asks, giving Fish a searching look.
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"No." There, he said it; now he can relax, which he does only slightly. "I was, but not anymore."
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"And even when you were a human, you would have thought that was sick? Even, if I was clearly not human, and the only sound I made was screaming, you still believe it would be wrong?" He peers at the other man, as if intensive study of his face will divulge his many secrets, "What are you now?"
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It's a little weird, maybe, and Fish does track Shrieky's hand with his eyes the instant it begins to move, but he allows it to happen nonetheless. (His skin is dry and autumn-chilly.) Whether it's this or the increased scrutiny that makes him uncomfortable, or both, he fails to make eye contact again.
"I don't really know what I am. Some undead thing."
no subject
Instead, he decides to veer in the opposite direction, and suddenly he's planting his other hand on Fish's other hand, and squishing down a little with both hands so that Fish is trapped, trapped forever under his approving palms.
"Hey. I'm sorry that you died. However, you are really quite wonderful, I think. Whatever it is you are now, if I thought that it was acceptable to come up with names and identifiers for other people, then I would come up with a more complimentary title for you than 'some undead thing'." There's a small additional hand squish here, for emphasis.
Are you more, or less uncomfortable now, Fish? Is this helping or hindering? He gently de-squishes Fish's hands, in case his incredible mermaid strength is too much for Fish's dainty fingers to take.
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"Okay." This is mechanical yielding, not a genuine acceptance. He's only waiting to be let go.
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"I apologise. My friend, with whom I had conversations back home, would remain at such a distance from me that I couldn't reach him. It is becoming increasingly apparent to me why he did that."
There are clearly rules about touching that he doesn't quite understand yet. He's going to have to work on that.
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"I'm just gonna... I gotta go. I'll, uh. Seeya later." Yes. Perfectly casual! Excellent work, Fish. He pushes his chair out just in time to bump it against the legs of a passer-by, who is accustomed to the usual tavern jostling and so keeps on walking, unconcerned. And yet: "Shit, sorry—"
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He's actually fairly certain that staying after Fish leaves will just lead to him mentally replaying this now disastrously awkward social exchange a million billion times, and feeling terrible about it. His chair moving goes gloriously unhindered by passers by, so Shrieky stands up, inadvertently looming into Fish's face on his way up.
Oh man, even he can tell that looming into the face of someone who is trying to extract themselves from a conversation with you is not going to help the situation.
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See, this thing he's doing with his face, it's almost a smile. Sort of. See? Nothing is wrong. "It's fine, it's your table." And now to try removing himself from this place, just quickly enough that it won't stand out in the crowd.
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"It's not my table! I was only sitting there!" This is really clearly useless by now. Shrieky covers his eyes with his hands, and exhales, not even attempting to conceal the degree to which he is mortified by whatever has happened here, "No, all right, I'm sorry, I'll see you another time."
That may have been an overly optimistic sentiment he just expressed there.