Raylan Givens (
toooldforlosing) wrote in
multiversallogs2012-01-11 08:13 pm
Entry tags:
You can have my girl, but don't touch my hat [OPEN]
Who: Raylan Givens AND YOU
What: Out and about! Let me know where you're running into him.
Where: Mog Hill, mainly, and the environs.
When: All day Coardi
Notes: Despite his inner rage, he'll be friendly and polite enough to new (and old) acquaintances. Feel free to assume he's doing any of the things mentioned below, but if you want him for other plots, just hit me by PM or on plurk (prettiestwhistles)
Warnings: None for now
Raylan is angry. There are some who might argue Baedal has nothing to do with that, but it's different here than it was at home. He's a prisoner, even if his prison is city-sized. Even if he's free to run every morning (like he does) and go to the bar every night (...which he usually does too, though more for eavesdropping and brooding than to get properly drunk). Working for the sheriff feels like collusion, but at least Norrington hasn't asked him to do anything he can't do, so far.
The militia's broadcast had turned his stomach, but he doesn't know whose brain to put a bullet into for that. A criminal, even a band of criminals... you can fight that, he thinks. A corrupt government that rules by martial law - that's something else again.
So he gets up, goes for a run, works his beat, goes shopping for goddamn groceries, spends his evenings in bars, and bites down on how much this place rubs him wrong.
He thinks he'd best not get questioned by the militia again, because he doesn't know if he'll be able to keep his mouth shut. But even those who don't know him well might be able to identify a man with an itchy trigger finger.

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She takes another drink and then she frowns, thoughtful. "...I hope he didn't remember when he was away. Can you imagine, like, thinking you'd totally escaped this place, and then winding up back here?"
Now who's a ray of sunshine?
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If time moves at home like it moves in Baedal, he's a father by now. He wonders if Tim will keep an eye on Winona, with him gone. Art would, surely. Someone.
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"I don't know about you but I could use a different conversation topic."
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Rachel polishes off her drink. "I'm ready when you are."
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Arguably he was, given that he shot a main point-blank and then had to leave Miami.
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"Being subversive--even if it was like, on accident--through good manners. I like that."
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She pauses. It's kind of a long pause, the sort that happen when people are trying to weigh just how much to say. "...I'd kind of made a mess of things back home. I had a really bad breakup, and it was with someone I worked with. I just... I don't know. Ran, I guess. Felt like I just needed to get away. But the job wasn't really that much better, and I didn't know anyone in New York. It was kind of an impulsive move that didn't really work out for me. But, hey." She smiles, shrugging. "Live and learn, right?"
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She looks up at him. "So you worked in Miami? What was that like?"
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"I don't know. I've never been anything but a marshal, before here. I didn't really ever think about being anything else."
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He walks in quiet for a bit. Then again, Raylan gives the air of silence as a default state; he just hasn't, evidently, thought of anything more to say for the time being. It's not awkward, he just lapses into not talking.
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But here, she doesn't, comfortable enough to understand the silence isn't an awkward one, that he simply doesn't have anything to say at the moment. Rachel lets it go, content to walk at his side, her hands still around his arm. They go a couple blocks before she speaks again.
"Thank you. This is nice, it was a good idea."
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