http://rose-obfuscated.livejournal.com/ (
rose-obfuscated.livejournal.com) wrote in
multiversallogs2011-09-28 12:26 am
Entry tags:
Furniture shopping! [open]
Who: Brie Cormac and Mina Barrett and OPEN
What: Furniture shopping
Where: All across town
When: Just after sunset
Notes: Feel free to run into them at any furniture/deco store.
Warnings: None yet
It pained Brie not to live with Mina - she had done so for nearly a year before arriving here. But the thought of complete darkness when she was allowed to feel sunlight was too unbearable. But despite moving in with Jones, she was determined to see Mina regularly and often, especially with the anti-vampire movement going on.
Thus, now the proud renter of an empty room, Brie needed to get some new furniture and there was no one better than Mina to take her shopping.
What: Furniture shopping
Where: All across town
When: Just after sunset
Notes: Feel free to run into them at any furniture/deco store.
Warnings: None yet
It pained Brie not to live with Mina - she had done so for nearly a year before arriving here. But the thought of complete darkness when she was allowed to feel sunlight was too unbearable. But despite moving in with Jones, she was determined to see Mina regularly and often, especially with the anti-vampire movement going on.
Thus, now the proud renter of an empty room, Brie needed to get some new furniture and there was no one better than Mina to take her shopping.

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It was reassuring to know that Mina was amiable to the idea of a haven. But her next words intrigued Jacqueline.
"Oh?"
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She knew that wouldn't elicit a good response, so she rushed on quickly. "There's a blood shortage, Jacqueline. And a horrible, unaccepting climate right now. I might have a better chance of survival if I can ride out the storm alone."
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No no no. She must have heard that incorrectly. A small part of her had known something like this was coming. Jacqueline just hadn't expected that it would be this.
"How in the WORLD could I protect you if you're completely unconscious for the next BAJILLION YEARS?" Her voice was loud. Thank the lord Mina had the sense to switch to Old Norse, because Jacqueline instinctively followed.
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"Jacqueline," she said, reaching out to touch the girl's arms. "My life for the last two and a half centuries has been about serving the Amazons. And about finding Tom. I have neither of those purposes any more. And I'm living in a hostile world, with precious few friends. Torpor may be the logical course of action for me at this time. And it will free you to live your life without having to concern yourself with me."
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"It's not a burden for me Mina! And what, do you think that torpor will do for you? Just go to sleep now and ignore your problems? Ignore me for 200 years? "
And then it hit her. She probably wouldn't be alive then.
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Whatever became of the moment when one first knew about death? There must have been one. A moment. In childhood. When it first occured to you that you don't go on forever. Must have been shattering. Stamped into one's memory. And yet, I can't remember it. It never occured to me at all. We must be born with an intuition of mortality. Before we know the word for it. Before we know that there are words. Out we come, bloodied and squawling, with the knowledge that for all the points of the compass, theres only one direction. And time is its only measure.
"When our time is limited," she said softly, "don't you think it wise not to squander it?"
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She had already lived longer than her body could possibly have handled. What's to stop her from being dead tomorrow, or an hour from now?
"When our time is limited," Jacqueline repeated, "we want to spend it with the ones we love." If Mina went into torpor now, Jacqueline would never see her again.
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She simply wasn't loveable.
"Come," she said, taking a deep breath. "Let's find some place to sit. You need to eat, I imagine."
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She had forgotten about the eating thing, again.
"That might be nice. And it seems that you do as well."
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"This one," she said, walking over to the front door and holding it open for Jacqueline. She switched back over to English. "Take your hat off, dear, we're indoors."
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"Right. Bars." Sometimes striking looks did have its disadvantages.
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She pulled a chair out for Jacqueline, ever the gentleman. "I'll say one thing for you," she mused. "You did not get your good looks from your birthmother. Marian O'Reily was not a great beauty." It was risky business bringing up Marian. Mina only resorted to it in an effort to avoid further discussion of her current status in Baedal. It was always better to deflect attention and Mina was very good at it. She always had been, ever since she was a mortal.
"I remember she had a wart on her chin. And her hands were the size of frying pans."
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"Really? She couldn't have been that awful." But honestly Jacqueline had never so much as seen a picture of her birth mother. So all she had to go on was what Mina, or her parents told her. And naturally, her parents didn't like to talk about her birth mother all that much.
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She walked around the table, slumping down in her own seat and propping her feet up on the table. "Awful implies something about her personality," she said diplomatically, bridging her fingers in front of her chest. "What Marian was, in the end, was lonely, I think. She wasn't a striking beauty. She wasn't terribly smart. She didn't have many prospects. Certainly, not for marriage."
Funny how a woman's future was always measured that way.
"Well, she ended up having quite a blessed life." She gave Jacqueline a bit of a smile. "As did you."
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She had always been too shy, or guilt-ridden, to ask her parents. Jacqueline didn't want to seem ungrateful, or even unhappy that they had taken her in. Especially her father. She had spent so many wonderful nights out in the city, or at the opera with him, and she could barely bring herself to do anything that might break his heart.
But then of course, becoming a Valkeryie might have done so. Running away probably did.
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She settled in her seat. "Marian O'Reily was hired by your mother about three years before you were born. Your parents had settled into the plantation years ago, but they were only just getting it up and running. Three maids, a valet, their driver, and a footman. Marian was the last one hired. Your mother...liked her because she could be easily Dominated."
A fool generally was.
"She was a good, Irish Catholic girl. Repressed. Lonely. So when any man gave her attention, she gave in very easily." Mina made an absent gesture. "Which led to the inevitable."
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And lonely. Jaqueline felt very lonely. She keeps herself together very well during the day. But when she's in her room alone at night, she sobs herself to sleep, worrying about where Luke may be, whether he's still alive. And now that Mina was thinking about going into torpor, she'd be all alone. With no family left.
Then Jacqueline realized that Mina had deflected the conversation. So of course, she had to work it right back in. And there's no better way than honesty.
"I'd be a lonely girl if you disappeared from my life," she said. It didn't sound depressing, or angry. Jacqueline just said it like it would be fact.
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Mina didn't enjoy opening old wounds, but it was called for tonight. "You want to go back home, I know that. Because you have so much to return home to. A husband who loves you. Your mother and father who dote on you more than you will ever know." She paused. "I hope you do get back. I honestly do. But you see, I have no motivation. No motivation to go back and, frankly, no motivation to go forward."
Baedal offered her nothing. She was met everywhere with derision and loneliness and broken promises. "I'm tired of things going wrong."
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"But don't you want to see Mom? She's your sister. And Dad, you two have so much fun together. They're family, your family."
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She felt some heat rise behind her eyes and had to close them for a moment. Mina couldn't afford to cry. She barely had enough blood in her system to sustain her with any semblance of humanity.
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"Don't make you say what? That they aren't your family? Because you know they are. How many times have I heard you tell stories about 'Jack and Anne'? The way my parents look at you after you've returned from being away, if that isn't family -- I don't know what is."
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She opened her eyes slowly. If Jacqueline was so determined to tread down this path, then Mina could not escape it. She was so very much her mother's daughter. Stubborn. Strong. Annoyingly persistent. "I did it for Tom," she said quietly. "I did it for some illusion of love that no longer exists. So I ask you, what happens now?"
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When she found Tom, she had been so happy for Mina. Finally, her aunt would be able to find the man she had been looking for. But when they found out -- about his, identity, Jacqueline could see the change in Mina's expression. It was unbelievable.
And she didn't know what to say. What could she say? So Jacqueline looked down at the table.
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Switching over to Norse, Mina spoke in a gentle, calm voice. "You know, I'm not a Kindred philosopher by any stretch of the imagination, but there's something I've noticed over the last few centuries. It's that vampires find different ways to cope with immortality. Some do it by turning off their humanity. Others find someone or something to live for."
She let the unasked question hang in the air: What did she have to live for now?
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Maybe it was because she still had hope that she'd see Luke again someday. But the other part of her, who saw Mina's postion but wasn't in it, couldn't understand. When she was young, she lived to become a vampire so she could join the Valkyries. It was because she believed in something larger. She loved Luke for many reasons, but most importantly, it was because he shared the same values. They fought, side by side, for the same things. He was a pillar in her life, but she couldn't imagine losing her will to live because of him.
But maybe it was because she just wasn't there yet.
"Why did you become a Valkyrie?"
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