JASON TODD [ red hood ] (
goodsoldier) wrote in
multiversallogs2012-02-06 07:50 pm
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Entry tags:
some people just deserve to die.
Who: STEPHANIE, KATE, HELENA, and JASON
What: vigilante anti-Militia party
Where: Deadman's Walk 12, Dog Fenn; assorted other locations possibly
When: backdated to the night of Jan. 31 and into the wee hours of Feb. 1
Notes: there are some different sections, one for Kate and Steph to meet up/coordinate, one for Helena and Jason to do the same, and one where y'all tag anyone you want GO WILD, because coordinating 4 people in different time zones is just not gonna work
Warnings: torture and general violence!
Helena had told him she'd meet him there, as finding a baby-sitter with little warning isn't always easy. He uses the travel time to take notes on the four different transmissions he'd received, sorting the information and prioritizing it. Of the four, the Howl Barrow raid kept his attention the most. There is a face, a name, and an address. That seems promising, and he figures, it would be best to move fast.
People talk about the transmissions in brief, hushed intervals, but he sits there like he really is studious chemistry major Nate, head down, notepad filling up. There is, however, a long black bag at his feet, heavy with useful things that would be difficult to explain were anyone to open it right here, right now.
No one does, of course. Even busy, Jason tends to exude a certain sense of fuck off please, an attitude generally respected by Baedal citizens of all stripes.
Helena is his only real ally right now; it would take an emergency for him to think of calling on Tim, Barbara, Superboy, or Stephanie. And this isn't an emergency yet. He's sure they can handle this, as long as they're quick. He does imagine that other people are taking similar actions across town, and he spares enough time to think that sooner or later, they're going to have to coordinate, somehow. He doesn't know how soon that will be true.
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There are enough shadows that the journey isn't hard, and thanks to Jason, the electrical security is out. She makes a mental note to thank him for that later as she starts working the lock. It's good, but not nearly as complex as any of Gotham's, so Huntress has little trouble jimmying it open with her picks. (Some would be surprised that she knows how to pick locks, but it's not like you can always go around kicking down doors and knocking through windows.)
After she shuts the door, careful not to let it squeak or slam, Huntress pulls her crossbow from its holster and starts creeping down the hall, closing in on the flicker of a light, and the sound of scissors. She leans up against the wall just outside the bathroom, then waits to catch Jason's eye before busting in. There's only so much space in there, after all, and it wouldn't do to try going in together, only to get stuck in the door.
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In the bathroom, the sound of scissors stop, a clink of metal on porcelain signifying he's put them down.
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"Hey. Shut up."
The click of Huntress cocking her crossbow silences Jennings. He stares up at her with wide eyes. The moment he realizes that she's a woman, he smirks and eyes her over.
"Or what?"
Huntress is preoccupied with his gaze (it makes her feel slimey) and doesn't notice him sneaking his good hand around his waistband to his pocket.
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"Tie him up, I'll go check out the restaurant," Jason suggests, stooping to retrieve the knife. He'll make sure whatever security they have is sufficiently disabled, check for any loiterers, and make sure they do in fact have a walk-in freezer. It'll all be ready by the time Helena shows up.
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In the end, she's got Jenning's arms tied behind his back and his knees and ankles are also secured. She's also taped his mouth shut, out of consideration for the neighbours. Can't have them waking up, after all.
"Hmm..." She stares down at him for a moment, considering, then smiles. "Right, I forgot."
She sets a foot on his chest, then pulls her crossbow bolt out of his shoulder. The wet sound of it sliding out almost muffled by Jennings's scream, but the gag keeps either sound from being too loud.
"That's better." She wipes her bolt on the hem of the man's shirt before storing it then, again out of deference to the neighbours, she tapes the shoulder wound shut before she slings Jennings up and over her shoulder into a fireman's carry. He's heavy, but she's shouldered worse, and the restaurant isn't too far away. "Let's go, shall we? I hear there's going to be dinner and a show. How exciting."
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The back entrance into the kitchen has been left ajar for them, and there is indeed a walk-in freezer, which Jason has also left open. Only the freezer is illuminated. Cuts of meat line the walls, but there's room for a metal chair and a bit of space to move around it. Jason has thoughtfully laid out a few tools. Some he brought, like pliers, but some he clearly raided from the kitchen, like the meat tenderizer. He goes to give Helena a hand, to get Jennings into the chair and fastened to it.
"Hi," he says blandly, circling back around to face Jennings, crouching there with one friendly hand on Jennings' shoulder. The helmet simply reflects the Militiaman's face back at him. It's probably obvious if it hadn't been earlier that the helmet has some kind of voice modulation built into it it's just especially noticeable in the enclosed space. "So what'll it be, Henry? What do you value the most: your hands, your eyes, or your balls? You do have those, right? Huntress, you wanna check if he has any balls?"
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She leans back and starts beating a tattoo with her nails on her bo-staff for show, to ramp up the tension in the room. The bound man's eyes follow the glint of her nails on the metal, and Helena thinks she understands why some people sin to get this kind of rush. At least, she would have, if being in this kind of man's presence didn't make her feel so greasy.
"Maybe we should just start with his fingers. Those are harder to miss. Plus, there's more of them. I think he can stand to lose a few. And you do so love that knife of yours..."
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"I figure Henry here is an old pro at this. It's practically his job, right? Well, that, and raping prisoners. So anything we say, it probably won't get to him."
Jason pats the man on the cheek. "So before I take this gag off, Henry, let me just say, you don't have to lose your dick, your eyes, AND your hands. You can keep one of those three. If you answer some questions. How about that?"
The gag comes off.
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Apparently too out of it to flinch properly at either knife or cheek-clap, he stares at helmet-face struggling to make some sense of things amidst mounting tension. To him, the implications must be endless.
With the gag gone his breathing comes easier though it doesn't hurt him any less. He needs no further prompting to speak, voice reedy and low, registering a bare minimum of emotion.
"Probably right," there is no bravado here, just simple statements. "But you better hurry up."
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Jason tips Henry's head back with a steady gloved hand, then places the point of his knife against his eyelid. Even the careful, light contact pierces the delicate skin there, though there's not to much blood, and probably not that much pain either.
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"Really," he's still pretty quiet, raspier than a moment ago. "That all."
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"Names," he says, almost polite, and if some are given, he'll continue on in a low and measured voice, following a series of topics: Militia protocols, what kinds of armaments they have, what kind of magic do they use.