The Militia. (
civilobedience) wrote in
multiversallogs2012-10-01 08:45 pm
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Entry tags:
- @ aspic,
- @ griss twist,
- @ griss twist: arena,
- @ syriac well,
- amberdrake,
- ava lockhart,
- benevenuta crispo,
- gemma "gg" giordano,
- hassan farrakhan,
- ilde decima,
- ivan,
- jack benjamin,
- jaime lannister,
- james t. kirk,
- jason todd,
- kalenedral,
- lea bit eshtazin,
- megan gwynn,
- npc,
- rachel conway,
- raylan givens,
- seoraj,
- severus snape α,
- sharon "boomer" valerii,
- spike spiegel,
- wolfgang einhorn,
- { bruce wayne,
- { logan,
- } alan shore
The Arena Riots ( open, gamewide )
Who: The Militia, the city, and you.
What: The Arena Riots.
Where: The Arena, Griss Twist.
When: Newdi, Eliaderen 1. (Monday Oct 1st)
Notes: Companion post for questions and plotting is here.
Warnings: Violence, police brutality, disturbing content and imagery, graphic death.
It's apparent even before dawn that something out of the ordinary is happening. Canton sheriffs are roused from their sleep or pulled away from their work to be told that on no uncertain terms, today will be a day that they do not leave their neat lines on the map. That their individual offices will be responsible for all crime and unrest within their jurisdictions, with no help; the powers that be offer no details, but the creeping feeling in their presence suggests no questions would be tolerated anyway – the implication that they'll all be watched is a strong one. In Mog Hill, Sheriff Norrington proceeds as he always does under such orders. In Mafaton, leadership is stoic but one deputy laughs, sharp and bitter, while the Emissary of the Council merely checks his watch, unseen underground. Sir Hellsing is pulled away from her dinner in the Guild Hall, a Sobek Croix deputy anxiously relaying the news. The sound of shattered glass disturbs the pre-dawn silence in Flyside, a brick hurled by some faceless figure into the front window of Thames – and nothing else.
From the Spire, hooded Militiamen move quietly and uniformly south, to Griss Twist. They are followed by wagons, full of prisoners.
remy & wanda's place; ilde's safehouse.
He's still there when they both start getting CiD alerts, and then things change; the job isn't finished when he leaves, his face drained of colour, but she doesn't (can't) protest. She sits down on the floor in what's going to be the nursery (it hasn't been painted yet), vaguely aware of Orion trotting into the room and settling himself beside and behind her, and she watches, white-knuckled and huge-eyed. The sense of helplessness settles in like a chokehold around her throat and she can't breathe, can't move, can't go down there and fucking do something. She's still sitting there watching - listening, remembering, flinching when she recognizes a face and reminding herself that Sonja is there, that Sonja saved her, that Sonja can do so much more than she can anyway and putting her faith in that, rewarded for it in a way her namesake never was when she prayed to a dead God - when there's knocking downstairs, purposeful but not threatening.
She'd told Lea about the house, Remy and Wanda's house; how it's been empty, how they left it to her ownership, how she doesn't know what to do with it. Lea has an idea about that - she's going down after dark, with a group of them. They'll need a safe place to go. No one lives in the house yet - Ilde hasn't even got around to finding a property manager, like she knows she should.
Of course she says yes; she only has one set of keys, so she'll go herself, and be there to let them in. There's still power and water and it's still safer than some places, so- it's a good idea. She takes the long way and goes via a series of carriages, just in case, giving the last one Ivan's address - she doesn't expect to find him there, and she doesn't, but she stops anyway and if anyone wonders where she was, someone saw her go in and nobody saw her come out. The face she borrows for a short carriage ride and then a brisk walk the rest of the way through Mafaton and Abrogate Green belongs to her godmother, a Russian English woman who is always laughing, who loves champagne and married men, who jumps at every good and bad idea because she never learned how to be afraid of falling. It might be an unnecessary precaution, but she needs the borrowed braveness, anyway, and she doesn't sink back into her own appearance for a little while once she gets there.
She makes a pot of tea. She waits.
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He gets most of that cleaned up — with help, his hands are shaking and he's exhausted, he can barely keep his head up — and a change of clothes that don't fit him very well, he's too tall so everything is short on him, but he's not complaining. Someone, he's not sure who, deposits him somewhere and he sleeps for a while.
But he keeps having such weird dreams like he hasn't had in years; they keep waking him up every few hours. They're not bad dreams, in comparison to the usual they are a welcome reprieve, they're just... odd. Now and then his eyes open, his breathing changes and he shifts around, indicating that he's awake. The pain is pretty bad but he's afraid to take anything for it, and anyway pain won't kill him, he can just deal with it. Bootstrapsing is something he is specifically not to do but extenuating circumstances etc.
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Just in case.
When his eyes are open, next, she signs, Are you thirsty?
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While his instinct is to be all oh no I'm fine thank you because he never wants to bother anyone ever about anything, it's an instinct he has honestly been trying to learn to repress. So he nods instead, consciously, and struggles to sit up a little so he doesn't have to be gazing up at her awkwardly. He's rather pleased with himself for managing even that little bit of movement. Basically he's like Robocop or something.
"Hi," he manages after a bit.
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Duly unsettled, he takes a sip of water, pauses, then drinks half of it in one go. It does make him feel slightly less shitty, so there's that. She can stare enough for both of them, he keeps looking around, trying to remember where he is and shit what it must be like at home, all the shit he has to do — "How is it out there?"
He's too foggy to sign, but he makes the effort to make the movements of his lips distinct and not mumble, so she doesn't have to strain to hear.
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He rubs at his eyes, drinks some more, little sips now instead of trying to drown in it. Something occurs to him as he's looking around, something is missing, and he sits up abruptly, alarmed. "Where's Hassan?" If he went back out there in that, Wolfgang is actually going to kill him. (Spoiler: no, he isn't.)
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Probably it goes without saying that she's curious about Hassan - who he is, when he arrived, how Wolfgang knows him, why he's so very important - but now is almost certainly not the moment for interrogations.
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He could check, but he doesn't. Partially because he trusts him, partially because he's completely wiped out, he has nothing left. "No, he's here." He lies back down instead. "Where is here, by the way?" The events immediately leading up to his coming here are sort of a blur for him.
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“It's my house. Um, my other house. That I inherited, sort of.” That she did in fact inherit, but she's semi-confident that it didn't involve anyone actually dying, thus complicating how 'inheritance' works. Not being in Baedal is as good as, legally speaking, something that only makes Baedal seem all the more alarming, even if it makes sense. It's the kind of mental logic puzzle that is the refuge of a mind that can't decide between trying to forget the things she can do nothing about right now or trying to aggressively remember them because she should, she just should, because it isn't fair to look away. And here she is, looking at- her hands, mainly, but then back to Wolfgang, in case he speaks, because she is paying attention today. “I have another house. This one.”
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He's thought about it a lot.
"It's a nice house," he offers after a moment. "Sorry for bleeding on it." That's a joke, ha ha.
"Are you okay?" It occurs to him that prior to this she might have been out there, too. Or something else could have happened. He's been out a couple hours, probably, at least.
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Organized. Suitable. Readily at hand for people who are distracted and in no mood to dig around for what they need.
“Sonja's at the Arena, and I think Ivan might be, but I couldn't go, since-” a gesture at what is definitely not just a fold in the fabric of her dress from sitting, “-so I'm doing this. It was Lea's idea.” A good idea that she'd seized on.
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If this sounds slightly (or a lot) awkward, well, it is. This is probably not the time for this, but right now he doesn't want to think too hard about what's going on out there. He'll have to later, but he might as well put it off until he feels less like hammered crap and can do more about it than worry and feel anxious and sad and angry.
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“Good, I think? I'm past the usual 'don't tell anyone in case you jinx yourself' cut-off date and nothing has gone terribly awry yet.” Besides the fact that this is innately ill-advised. “I've been really careful, I have to pay attention to- absolutely everything, I guess. Ivan bought me a sort of fae wine that I can still drink, though, I thought that was...sweet. I've been thinking about talking to this woman in the river, too, since she has...well, my baby's probably going to look similar to her, and it's not as though I have a set form, per se? I thought it'd be nice if I could be like that, so the baby would- have something like she is. Um, that's probably more than you were wondering.”
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She lets herself in. It's her wards (which will be increased when Ivan turns up with that heart), she doesn't need a key.
When she gets inside, she stops in the front hall and swears, quietly, to herself, in Arabic.
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He's looking for Lea first, though if he catches sight of Ilde to be sure she's safe, that's just as well.