The Militia. (
civilobedience) wrote in
multiversallogs2012-10-01 08:45 pm
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Entry tags:
- @ aspic,
- @ griss twist,
- @ griss twist: arena,
- @ syriac well,
- amberdrake,
- ava lockhart,
- benevenuta crispo,
- gemma "gg" giordano,
- hassan farrakhan,
- ilde decima,
- ivan,
- jack benjamin,
- jaime lannister,
- james t. kirk,
- jason todd,
- kalenedral,
- lea bit eshtazin,
- megan gwynn,
- npc,
- rachel conway,
- raylan givens,
- seoraj,
- severus snape α,
- sharon "boomer" valerii,
- spike spiegel,
- wolfgang einhorn,
- { bruce wayne,
- { logan,
- } alan shore
The Arena Riots ( open, gamewide )
Who: The Militia, the city, and you.
What: The Arena Riots.
Where: The Arena, Griss Twist.
When: Newdi, Eliaderen 1. (Monday Oct 1st)
Notes: Companion post for questions and plotting is here.
Warnings: Violence, police brutality, disturbing content and imagery, graphic death.
It's apparent even before dawn that something out of the ordinary is happening. Canton sheriffs are roused from their sleep or pulled away from their work to be told that on no uncertain terms, today will be a day that they do not leave their neat lines on the map. That their individual offices will be responsible for all crime and unrest within their jurisdictions, with no help; the powers that be offer no details, but the creeping feeling in their presence suggests no questions would be tolerated anyway – the implication that they'll all be watched is a strong one. In Mog Hill, Sheriff Norrington proceeds as he always does under such orders. In Mafaton, leadership is stoic but one deputy laughs, sharp and bitter, while the Emissary of the Council merely checks his watch, unseen underground. Sir Hellsing is pulled away from her dinner in the Guild Hall, a Sobek Croix deputy anxiously relaying the news. The sound of shattered glass disturbs the pre-dawn silence in Flyside, a brick hurled by some faceless figure into the front window of Thames – and nothing else.
From the Spire, hooded Militiamen move quietly and uniformly south, to Griss Twist. They are followed by wagons, full of prisoners.
no subject
In here, though, with blood on his hands and all of that massive brutal strength applied to cutting through hooded militia-members, he's terrifyingly efficient. Lea thinks she's pretty glad he's on their side.
One of the gladiators still campaigning for militia approval--or maybe he's just a psychopath who likes bloodshed--comes barreling through the crowd, toward herself and Jason, whom she identifies mentally as a very recent acquisition (one who looks like he's a bit roughed up, as is to be expected, and she's glad this second wave has come in now). She tenses, waiting for it; being relatively small in frame means she has to time her attacks, although she's still faster and better in reflexes than most humans her size would be.
She likes to clip the tendons in the calf, mostly. Disable, then destroy. Her eyes behind the mask reflect some irritation; obstacles aren't surprising, but she's a hunter, by design, and she doesn't really take the same grim satisfaction in handling those obstacles as she does in actually seeking her targets.
no subject
The woman nearby moves first to meet their attacker, and would have even if he were at one hundred percent. The gladiator jerks and stumbles to the ground as the tendons in his leg give out, carried forward by his momentum but out of control now. Jason concentrates and, not for the first time, but definitely the first time in a very long time, beheads someone with one strike. This genuinely astonishes him given the state of the machete. But the moment of concentration had been to aim correctly and make that strike count, whereas if he had been one hundred percent, he would've struck sooner and maybe he'd have a face full of arterial spray right now. As it is, most of the blood is on his clothes and the ground.
no subject
She can't actually take the head. But having ("having", as though she can spontaneously acquire people by their usefulness--but maybe she thinks she can) someone accompany her that is efficient with a bladed instrument would be a good idea, since while she's certainly capable of physical self-defense and, indeed, offense, she knows she'll be stronger when she can use her magic to its utmost.
There are a few of those hooded agents left. Not enough to kill her power completely, but she remains mindful of their presence.
"Do you think you can do that a few more times tonight?" Her voice carries to only Jason specifically, somehow, despite the not inconsiderable din. That might be--is likely--a glint of magic, as much as she can muster in these conditions, but maybe being piercingly French-Canadian just equips one for that particular talent. "Because I want Argo."
That big fucking Teutonic bastard. He's practically a poster boy, with those cheekbones and that haircut.
She doesn't say 'you in?', but it's implied.
no subject
He'd like to see what she'd do to Argo. And maybe that's not fair, and not a full, nuanced grasp of everything a Militia leader has to do to keep order in this city, the tough decisions leaders have to make; but above and beyond policy, the many things the Militia have done wrong and the some they've done right, people have been dying for hours on his sufferance. He's not going to stand here and pretend that the slaughter doesn't affect him. He's going to see as much of this through as he can.
no subject
She starts in that direction, steady, not too rapid. It wouldn't do to look like she has such a particular goal, or she'll attract the wrong kind of attention before she can even get through the crowd.
It's an impulsive thing, trusting Jason, but there have been no names used, and he did rather efficiently (in as much as anyone can do something so brutal efficiently) behead a gladiator right in front of her. Sure, it could be a tactic. But Lea doesn't think so, and she trusts her instincts.
When you have a lot of other people at home and elsewhere relying on those instincts, if you don't have faith in yourself, you're kind of fucked. They may well be, anyway, but she's not going to let herself think that bleakly. It's counterproductive to hunting--and there is nothing animalistic about her tactics, how she zig-zags lightly as though she has no real destination in mind, while knowing exactly where they are headed.
no subject
no subject
When she finally slips into a stairwell that should ostensibly lead her upwards, its roof shrouding her from any views from above, she finds a blockade in the form of a cluster of young militia agents kettling a group of rioters into one corner. Lea rocks back on her feet and waits a beat for Jason, so that he can get a glimpse of what the hold-up is. She peers around the corner, conscious of the fact that the element of surprise will be fairly important here, even with her arcane power gradually blossoming back into full form.
no subject
no subject
Maybe eventually she'll become comfortable with collateral damage. But not yet.
Her telekinesis is a precise but invisible weapon that splits the groups into two via a second blockade formed between them. Then it shifts, becomes more precise, razor-sharp, and cuts across the ankles of the militia agents. Several of them quite literally lose their feet, still alive afterwards and prone on the ground, and when those towards the back realize what's happened, they splinter out and flatten back toward the wall, away from the rioters.
Giving Lea and Jason both an opening. She'd prefer to use more hands-on methods as they progress through the stairwell, though, because that prior effort let her know just how many nullifiers there are left. (Too many.)
no subject
Closing the distance between them is what takes the most time. Once he's there, it's one-two-three-four strikes to as many agents in just under two seconds. Those agents go down, one with a cut throat, one with a crushed throat, one kicked into the still standing group, the last stabbed under the armpit where the armor doesn't cover. Jason wrenches the machete back out, ready to deal with the others who only got knocked over.