Rachel Conway (
gotbottle) wrote in
multiversallogs2012-03-18 07:12 pm
Entry tags:
Striking in complete silence / devastating, isolating, until I lose control
Who: Raylan Givens and Rachel Conway
What: Saving the day! Aaaand opening up a CR can of worms.
Where: Champion's Walk, Griss Twist.
When: Backdated a few days, in the midst of monster madness.
Notes: N/A
Warnings: Violence against monsters.
She'd been driven from her apartment three days ago, driven from her neighborhood a day after that. Rachel had managed to pack a bag on her way out, slung across her body now, full of what meager first-aid supplies she could gather and everything she could possibly use as a light source.
...Not that she intends to go that route. Ever. But better to be prepared for something you don't have to do than to be pushed into that corner and not be ready.
She's been moving through the city, doing what she can, sleeping when she can. She's hardly prepared for this; she's been a book editor and a tea house waitress and a low-level volunteer for a political party, there's nothing in her background to ready her for circumstances like these. But she couldn't just hide somewhere and not try.
The side streets tonight are reasonably quiet, if demolished here and there, bearing scars of earlier skirmishes. She makes note of buildings that look like they'll stay standing, and when she comes across the odd person wandering the street, she checks to make sure they don't need medical attention and then she shoos them off to the nearest safe place.
But as she nears Champion's Walk, the odd people become groups of people, and they're not wandering, they're fleeing. She catches the ones she can, directing them to a safe place, unable to get much out of them besides "monster" and "didn't want to be trapped."
There's a knot of people running through the open back door of a business that faces Champion's Walk. She fights her way through, dodging people, and she gets out the front door. She still can't see much--there's a group of people coming toward her, and some more, lit by the few street lamps still working, congregating by some buildings on the next block.
And then a shape moves between her and a lamp, flitting by so fast there's only a silhouette, and an impression of size. Great size.
She can't just stand here and do nothing.
Back through the shop she goes, back out the back door, but instead of joining the others fleeing onto the side streets, she takes one that parallels Champion's Walk. She sees another stream of people coming down an alley, and she squeezes through, popping out into the crowd of people gathered there.
"Who's in charge?" she asks the nearest person. "Is there anyone helping you guys right now?"

no subject
no subject
no subject
no subject
no subject
Rachel sips from her glass, looking up at him. "What do you think we should do next? Camp out here? Try to move on while it's still quiet?"
no subject
no subject
no subject
no subject
no subject
no subject
She falls silent, thinking. "How are you for ammunition? Any idea where we could find you more, if you need it?"
no subject
no subject
Because there will be a "next time"; nothing she's seen has her convinced this is the end of the intermittent hell-in-a-handbasket episodes the city likes to have every so often.
"I guess we keep moving, then. See what we can find."
no subject
no subject
no subject
He is probably teasing her now.
no subject
Rachel doesn't say anything about his teasing, but the color rises in her cheeks just a hint. "So let's keep an eye out for anything else that might make a good weapon, while we're out there."
no subject
"Presumably whoever runs this place won't let everyone get killed. We just gotta outlast it."
no subject
She sets down her glass. "If you're ready to go now, so am I.'
no subject
They head out cautiously. Everything seems fairly quiet for the time being, and Raylan checks his CiD map before heading vaguely North.
After a little bit, quiet, he says, "We don't have to talk about this now, but... how long have you known you could do that. With the shadows and all?"
no subject
"I knew pretty much all my life there was something different. Off. But I didn't see it for the first time, realize, like, exactly what it was, until I was twelve. I didn't tell anybody for the longest time. I was scared. And there was already enough in my life that made me stick out like a sore thumb, I didn't need one more thing. My mom figured it out because of-- because of something that happened when I was a teenager."
They walk a few paces in silence before she speaks again. "It was kind of-- I sprung it on her and that was an awful way to find out. I figured, like, the entire world didn't need to know but I couldn't go surprising people I cared about. So I tried telling them, eventually, but I can't think of a single time it went well. They always wound up distancing themselves, like it was too much or I was too scary now or whatever. After a while I guess I just stopped trying to get close enough to people to where I'd have to tell them. It seemed easier that way."
She looks over at him again. "I'm sorry. I really was trying to figure out how I was going to bring it up but then... this happened."
no subject
He's still working it through, but his comment is honest.
no subject
Rachel shrugs. "Keeping my secrets intact sure wouldn't have brought me a lot of comfort if one or both of us had died as a result. I'll deal with whatever comes of it."
no subject
"You're still you. It's weird - I'm not going to pretend it's not weird, but if you haven't noticed, I'm not Mr. Congeniality. I don't have anyone to avoid you with except my boss, and I'm pretty sure he doesn't like me."
no subject
She's quiet a moment, and then: "...what is it with you and lists, anyway?"
She is, perhaps, gently teasing, and doing a pretty poor job of trying to hold back a smile.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
SORRY
No worries, it happens!
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)