Rachel Conway (
gotbottle) wrote in
multiversallogs2012-03-18 07:12 pm
Entry tags:
Striking in complete silence / devastating, isolating, until I lose control
Who: Raylan Givens and Rachel Conway
What: Saving the day! Aaaand opening up a CR can of worms.
Where: Champion's Walk, Griss Twist.
When: Backdated a few days, in the midst of monster madness.
Notes: N/A
Warnings: Violence against monsters.
She'd been driven from her apartment three days ago, driven from her neighborhood a day after that. Rachel had managed to pack a bag on her way out, slung across her body now, full of what meager first-aid supplies she could gather and everything she could possibly use as a light source.
...Not that she intends to go that route. Ever. But better to be prepared for something you don't have to do than to be pushed into that corner and not be ready.
She's been moving through the city, doing what she can, sleeping when she can. She's hardly prepared for this; she's been a book editor and a tea house waitress and a low-level volunteer for a political party, there's nothing in her background to ready her for circumstances like these. But she couldn't just hide somewhere and not try.
The side streets tonight are reasonably quiet, if demolished here and there, bearing scars of earlier skirmishes. She makes note of buildings that look like they'll stay standing, and when she comes across the odd person wandering the street, she checks to make sure they don't need medical attention and then she shoos them off to the nearest safe place.
But as she nears Champion's Walk, the odd people become groups of people, and they're not wandering, they're fleeing. She catches the ones she can, directing them to a safe place, unable to get much out of them besides "monster" and "didn't want to be trapped."
There's a knot of people running through the open back door of a business that faces Champion's Walk. She fights her way through, dodging people, and she gets out the front door. She still can't see much--there's a group of people coming toward her, and some more, lit by the few street lamps still working, congregating by some buildings on the next block.
And then a shape moves between her and a lamp, flitting by so fast there's only a silhouette, and an impression of size. Great size.
She can't just stand here and do nothing.
Back through the shop she goes, back out the back door, but instead of joining the others fleeing onto the side streets, she takes one that parallels Champion's Walk. She sees another stream of people coming down an alley, and she squeezes through, popping out into the crowd of people gathered there.
"Who's in charge?" she asks the nearest person. "Is there anyone helping you guys right now?"

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SORRY
No worries, it happens!
"But it's still a lot of information," she points out. "I mean, I imagine there's a lot to keep track of, even if you're more or less traveling in a straight line. Where someone's been, where they might go next, who they know, what resources they have or might be looking for. It makes a lot of sense, now that I think about it, that you make lists. You probably always did. 'We're looking for this guy, he's lived in these four places, has these three known associates, likely took one of these routes out of town', and so on."
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"It also seems like a job that'd take some..." And here's a pause for an attempt at polite wording, "...testicular fortitude. I mean, like--not that all cops aren't brave and not that anyone ever wants to get hauled in by one. But it seems to me that a person who's been on the run would be extra desperate not to get caught, and more likely to take it badly when he's cornered."
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"We do other things too, but even so. It's true for marshals and for cops - you try not to corner someone you think is really desperate. Usually ends bad."
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She's cut short by the crash of a garbage can beside a building just ahead. She reaches over and puts a hand on Raylan's arm, both to warn him and to steel her nerves.
And then a cat saunters out from the toppled can, shoots them both a filthy look, and stalks off. Rachel laughs in spite herself. "That was, like. The worst horror movie cliche right there. God."
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"Raylan." Her voice is grave, her expression matching. "I want you to know that I genuinely love children. I might even manage to have a few of my own, someday. I would never want to see one come to harm. However. If we see what you just described, you have my permission to shoot it, because that never ends well in the movies."
She presses her lips together slightly, almost managing to keep up that mask of seriousness.
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He's not sure if he could shoot something that looked like a child, even if he knew better. He'd rather not find out.
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"You got any ideas on where we should head, or should we just keep moving?"
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...God, I never thought I'd see the day when I'd miss that."
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"I see people on horses all the time, here. Maybe I should learn how to ride."
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"At least I can drive a stick. Not that it does me much good here."
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"I mean, like. I can drive a stick? But it's not pretty. Tell you what, though, if I find somebody decent for horse-riding lessons, I'll let you know."
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Unfortunately, he is also dead, but Raylan didn't know Boromir well enough to put that together.
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