lucius malfoy (
amourpropre) wrote in
multiversallogs2012-03-13 10:24 pm
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Entry tags:
the soul secured in her existence, smiles.
Who: Lucius Malfoy (Sr) and "Vanessza Bernat"
What: It starts with a dragon.
Where: Badside.
When: Misdi sundown.
Warnings: Character death... sort of.
Probably, but Lucius Malfoy is not street-level when it occurs and wouldn't be able to tell you. He is in some sort of partially incorporeal state of flight, hearing more the pained screeches of the dragon bellowing across the sky in the wake of-- something. Indefinable injury that involves pieces of the beast falling in slower spirals than the rock-drop of the brunette, sword-wielding woman plummeting for the ground. Recognition is quicker, unfortunately, than the ability to act, and by the time he is disapparating completely out of the sky to short cut his own flight path, Vanessza Bernát has dashed herself upon the pavement.
He lets the dragon go. It may well die of its own injury, although dragons are made of sterner stuff than most. The street is not entirely devoid of life, although most are ducking and hiding in their own apartments, brickwalls and high windows and disrepair defining this corner of Baedal. Lucius isn't really observing his surroundings, anyway, when he lands on the street and steps out of the unfurling mass of transformative smoke that seems to meld back into his silhouette, the turn of his coat. The wand is out, silver handle gripped tighter than dueling instructors typically recommend.
Expression openly shocked as if he is not really believing what he just saw, for all the the death of some random Muggle woman would hardly have blinked on his radar some precious few years ago, he approaches, the clip of his pace even but not entirely unhurried.
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In the end, however, Lucius simply lays down some similar enchantments he's put upon his own residence, ones that will stand up against brute force both magical and physical. A spoken word from Benevenuta herself or a simple touch will be needed permission. Fixing windows is done with a flick of a wand and a muttered incantation, the courtyard protected from unwanted guests with a flash of silver magic that makes, a moment, a sort of dome between it and the open sky, before vanishing into invisibility. Last but not least, the traditional sort of cloaking that inspires the disinterest in other people, that staple of magic that hid so many things from Muggle view, turned around against the siege of monsters outside.
He takes a drink for himself, of course, available liquor that he may or may not have recommended to her once before. A dash in a low glass, foregoing ice for an enchantment that has frost lacing across crystal. It isn't all spite, or needing a drink after the efforts of the day; it's been quite a week, in general, and drinking a few mouthfuls of someone else's alcohol sounds like the best idea Lucius has had since he invited Severus to execute that one rogue herd of thestrals.
Some of which Benevenuta dispatched herself. It makes for some interesting puzzle pieces.
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What she thinks is not that's mine but I expect I'll be lucky if that's all I'm expected to pay him. (She doesn't expect that's all he's going to ask of her, no; he doesn't seem like the type to be inclined to leave aside not knowing something that's been set down before him. Thrown down, by a fucking dragon.)
“You can pour another,” she says. “But we should eat, too. I'll do that.”
Is she really going to saunter over to the kitchen like she has absolutely no intention of explaining hers-- yes. Yes she is.
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Death is something of a finality, where he is from. Protection spells, healing potions, these things are well and good, and there is a reason why wizards and witches have their morbidly extended lifespans, but once you're finished--
Well. Look at what Tom Riddle gave to pay the price of return. And there's a reason why all the good fairytales are about cheating death.
Charming though she is, Lucius has also discounted 'made a pact with the Reaper'. He summons a glass, after a second, the clatter and slosh of a drink being poured. He follows her into the generous kitchen once he's done, setting the scotch down and sliding it across the silver surface in her direction. "And your shoulder?" is polite enough inquiry.
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Someone who expects wonders, expects explanations for them is harder to lie to. That doesn't seem to incline her to stop lying, but-- she's been doing this for a long time. When she wants to tell the truth it's hard for her, painful almost in the way of trying to flex an atrophied muscle, her instincts screaming in the other direction, and frankly she doesn't want to tell him anything right now. This would be too much like a concession, like something she was backed into a corner for, and she prefers to be the one holding the cards.
She says, “Better. Better soon. I'll get some rest and let the potions do their work.”
Bless Severus Snape, and Lucius Malfoy's own culture's clever little cures. She can point to each one that'd have her with just a bit of strain by tomorrow.
It isn't as though he's going to demand she open her blouse and show him underneath the bandage.
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"You'll find the wards in place, as requested," he says, first, casting a look away from her that only tosses straw-pale hair a fraction over his shoulder. "It's been some time since I've done such for anyone apart from myself. Now, I wouldn't believe it a stretch of the imagination to guess that those who once knew me, where I am from, would marvel at the notion of me performing magic for those who cannot wield it themselves."
He takes a sip of her scotch. "We all make our little compromises, here. I saw you fall, and the result. Your spine should be shattered, dislodged from viscera turned to liquid beneath your ribcage, to say nothing of your brain matter still a smear on the sidewalk last we left. I looked.
"With these images still quite fresh in my mind's eye, do you believe I should accept that you simply fell in someone else's blood?"
Just curious.
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Her temper, when it gets the better of her, always goes further than she means. It's better to keep a leash on it while she still can.
“It would suit me if you did,” she says, finally, and the wry tone is-- some kind of concession.
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"I have no particular desire to do what doesn't suit you," he says, after a moment; his tone almost disjointed from the rest of him, distanced. "But the deception doesn't hold, I'm afraid, and whatever it is you are attempting to hide is quite out of your hands." Because it's still truth sans explanation, in it's own blunt and brutal way, except he knows full well there is more to it than simply being capable of resurrection.
The sword and the crossbow see to that.
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“I value my privacy as you do,” she says, then, in a frank reminder of all those times she's obliged him in not asking. “Do I lose it, if I wish to help?”
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...no, that can't be it.
"I don't regard it as a matter of privacy--" A vague gesture, glass tipping in his hand.
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Really.
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"I knew you to be a healer of good education and manners, with some taste in wine and conversation. The presence of medieval weaponry and the ability to resurrect are rather incongruous with this concept, don't you agree?"
A pause, and pettier; "I've also never lied to you."
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Benevenuta, the liar, sidesteps his last petty remark entirely. She lies to everybody. Why should Lucius be special?
“Incongruous but not contradictory,” she offers, instead, bringing the saucepan over the heat and glancing up at him over her shoulder. “Neither my manners nor my skills, I think, suffer for these things. I would think experience to be a valuable thing.”
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This is so frank and so wry that it's probably not even worth responding to, which is a thing Lucius recognises enough as he loosens the righteousness out of his own posture enough to find a lean against the counter. The argument is dwindling from him, but not yet gone; the prospect that he might leave without answers is presenting itself as an option, but a far less palatable one.
For now, Lucius rhetorics; "Then answer me this; does the truth put you in danger, or is it a matter of principle? Never mind privacy. You left some of that behind among the skull fragments."
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“I am accustomed to my privacy,” she says, reframing the question (and its limitations) to better suit the way she wishes to answer it. “For which I have my reasons. And, if I am not wrong in believing that you can be trusted with it,” or in thinking that it's not out of the question he can be maneuvered into keeping her secrets by the suggestion that she already believes he will, “then I wonder what does it matter? You have seen. What more do you want me to say?”
And why?
(The list of people digging into her business, whose curiosity she's obliged to tolerate, is getting irritatingly long for the length of time she's been here - yes, at all of two - and she's not entirely sure if she's getting sloppy or Baedal has a higher count of the type.)
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Of which he is nowhere close to Candlelighter levels of disdain, but he feel he ought to know what he's permitting anymore.
So it's a good thing she doesn't ask why.
He clams up into sullen silence again, and finishes his drink without claiming another. Lucius moves instead to set the glass beside the sink. "Simply what it means."
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She loves humanity, she rises to her obligation to it, but she is not beholden to the individual. The individual, in fact, is where she's always had trouble. Relating to them on their own terms is something she's tried to do and something that has eluded her for centuries; their experience and expectations are too unlike her own. She's never known the urgency of a life with an endgame in sight.
That's what it means. Her proud distance, here, the glimpses of just how arrogantly willful she truly is down at bone - this is what it means.
But she says: “It means that I am older than I appear,” in the tone of someone who thinks he should be grateful for conceding even that much. “And that I know what I'm doing. And that I would be very grateful if you would get the crystal power-source down from the cupboard above me here for my blender.”
Well, since he's standing right there, being taller than she is.
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He blinks at this last thing, jaw setting. Gratitude, however much she thinks he should have, is not written into his expression, and he is making sure it doesn't. But he does shut up, which might be better, and he does move to the cupboard, which is just a bonus.
Taking the crystal off the shelf, it's held out for her to take.
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She rests a hand against the counter and permits herself to look tired.
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"Perhaps I ought leave you to your thoughts," he says, partially over a shoulder as he wanders away a little to concede some space. His tone, for once, is not overly transparent, and doesn't signify code for his own desire to leave... but assuming that this meeting is fit to continue much longer seems assumptive.