JASON TODD [ red hood ] (
goodsoldier) wrote in
multiversallogs2012-02-28 12:24 am
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hello welcome to the party. hi I've never met you before. I know.
Who: Will! Kaitlyn! Fauxlivia! and Jason!
What: by their powers combined, they are VAGUELY CONSPIRATORIAL AND ANTI-MILITIA
Where: assorted places
When: assorted times
Notes: did I forget anyone help I have a brain like a sieve. ALSO don't feel like pressured to immediately sign them on, this is possibly more like "so this is how Jason meets your characters and takes interest in them" thing. Presumably he'd also stalk them for a bit, to the best of his ability (UNSURE) let me know how you feel about that possibility.
Warnings: captain planet; spinach dip
There are a million things to do, which is really how Jason prefers life to be. He's all over the city talking to people, some of whom he returns to, some of whom he never sees again; he buys things, steals things, stores things, moves things. It's not all carefully planned, either. Some people and things he simply comes across in his travels, and he keeps his schedule flexible enough to accommodate these opportunities.
His funds are limited. Criminal conquest is more fun with more money, but sadly, Talia isn't here and if she were, she wouldn't have the al Ghul resources with her. Of course, she could actually be here and simply declined to contact him. Or she could be here, just a version of herself that never became involved with him, or from before such things happened. He tries not to think much about things like that, primarily because it's pointless and he has so many more important things to be thinking about. Still, there are empty, waiting moments on the train or the streets where his brain revisits these ideas, for reasons beyond his comprehension or capacity to care. But he reaches his stops, he finds something else to observe.
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And here it's not all that different, is it? She has Hellsing, which is a lot like her team from back home, but they can't act openly. They're allowed to operate by the Militia. She wants to find others like her without those ties, and she wants to be able to trust them.
To his question, she responds with an expression that's suitably saucy to match their little liaison. She ticks off her answer like the slow reveal to a mystery. "Ceidary. Blue. Five-two-three."
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Jason almost reaches inside his jacket for a pen before he remembers he's not wearing the it, and instead retrieves it from the fleece. "Give me your hand."
It's in keeping with what they're pretending but not strictly necessary either to write his CiD number on her palm. As he does so, he murmurs, "And if I die or disappear, the others will murder the fuck out of you."
He finishes writing and smiles at her, as warm as he had before. He isn't actually trying for ominous or threatening, he's really just unironically enjoying their play-acting.
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There's something honest in this, knowing that they're both putting on an act. She meets his eyes to hold his gaze for a moment, as if gauging something there.
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Jason straightens away and puts down enough money for both of them, plus tip.
"Unfortunately, I do have to meet some people. But we should speak again soon."
He does plan on seeing her again much sooner, in the sense that he'll make every effort to track her down and follow her movements. It won't really ease the anxiety that she's affiliated with the Militia, but nothing will except time.
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"Well then." She wonders if he can tell what's going on beneath her surface, or if she hides it as well as he does. "I suppose we should say goodbye for now." She stands up from her seat, secretly pleased with the minor edge she gets in height from it. "I'll leave first, if you don't mind."
She's pleased with it, because it allows her to have the final word, which is in the form of a brief, but heated kiss before she turns to part ways. If there was any question as to what they were up to on their end of the bar, she's hopefully put the finishing touch on their little ruse. "I'll call you," she assures without looking over her shoulder as she heads for the door.
no subject
It's a nice one, though.