hasibe ozcelik | norea (
norea) wrote in
multiversallogs2011-11-26 10:22 am
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Entry tags:
004 | CLOSED. i made it to the other side.
Who: Hasibe Ozcelik & John Mitchell. Ivan, later on.
What: Hasi requests Mitchell's presence, and exploring Gallmarch.
Where: Gallmarch, possibly near Chimer.
When: Sukkardi, around three, probably.
Notes: N/A
Warnings: Sexuality with a D/s bent, discussion of Mitchell's vampirism, a little blood, violence.
Hasibe waits at the Chimer's End El station, legs crossed neatly (so the loops on her thigh-high stocking garters, curious little items that they are, stay on display), perched as she is on a bench just outside. She doesn't feel the cold in a pervasive, problematic way like other people who suffer things like 'hypothermia' and 'frostbite' might, but she does know when it's there, sometimes reacting to it like it bothers her anyway, and her sole concession to the weather is her long coat with its gold buttons, longer than her semi-sheer black skirt and semi-sheer white top. She wears it open, with no hat or gloves.
It's quiet out here today, but Chimer usually isn't a densely populated area, Gallmarch even less so. That's why she likes the idea of living there; it's in the city, but it's not in the absolute thick of things. Usually she stays tucked deeply into town, but more and more, she begins to think that it's better to have some of her own space.
For Huan, for guests, and for other things, too.
She smokes while she waits, ignoring any looks from the occasional passerby as though she doesn't see them at all; train stations are always full of strange men, but she's only waiting for one in particular today...and he's not strange in the sense of unfamiliarity.
It's quiet out here today, but Chimer usually isn't a densely populated area, Gallmarch even less so. That's why she likes the idea of living there; it's in the city, but it's not in the absolute thick of things. Usually she stays tucked deeply into town, but more and more, she begins to think that it's better to have some of her own space.
For Huan, for guests, and for other things, too.
She smokes while she waits, ignoring any looks from the occasional passerby as though she doesn't see them at all; train stations are always full of strange men, but she's only waiting for one in particular today...and he's not strange in the sense of unfamiliarity.
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His free hand, which has been trailing the back of that thigh, moves back sudden and sharp as if to deal a stinging blow --but stops, centimetres within touch. “Until you can’t.”
“So,” he says, mouth cruel around the edges, “are you going to make this easy or difficult?”
He’s honestly not sure which one he would prefer right now. That too-sharp part of him is close to the surface, and yet the thought of agonizingly drawing things out for both of them appeals to him in a way he can’t explain.
And it’s not like he’s never jumped on small excuses before.
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She remembers seeing his eyes black, in the dressing room, and although they aren’t like that now, she thinks this is similar enough that they may as well be.
When he nearly brought his hand down on the back of her thigh, there was a preemptive intake of breath from her that was more anticipatory than anything else. A lot of the men she knows are afraid to go there, afraid of hurting her, but she trusts this, and she wants that pain. To someone outside, it may not make a lot of sense, but for Hasibe, this confinement is freedom.
“I can be a good girl for you,” she says, softly, after a long pause. The words she chooses indicate she’s trying her hand at her usual innuendo-laden playfulness, but it doesn’t quite work this time, and ends up being more in line with trembling sincerity than anything else...and she doesn’t really mind. With less hesitation, she adds, “I’ll try.”
Eventually, she knows that she’ll give in and move, but at first...she’ll do her best. A little of column A, a little of column B.
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Later, thoroughly exhausted and completely spent, he reaches with one hand to begin loosening those knots (wrists, at least, because there had been inevitable movement --the rest is easy enough to slip out of). Then he falls back on the bed with a soft moan of exclamation.
It had definitely been worth the wait, worth drawing things out. With a peek towards Hasibe, he doesn’t wait for her reaction, simply moves forward with eager bliss to kiss her again.
(There’s a familiar, coppery taste with heat behind it, but it barely registers as he sinks back down into the mattress.)
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“I knew you’d like it,” she says, “taking me under.”
He certainly seems to have enjoyed it, anyway, but she’s curious as to what he thinks about the experience--having that level of power over someone is different from just domination. It goes way down deep psychologically. She always talks about it like a drowning, like she’s being held under the waves. It’s not inaccurate. Hasi reaches up to drag her fingertips over his shoulder, blithely affectionate.
In a moment, she’ll realize. Hopefully before the five or so minutes it takes for even a drop or two of her blood to take effect are up.
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Unreal, he thinks (although that word choice is strangely apt for what’s about to come next). Sensual in a way he’d never really known before. It’s--
No, not even thinking words is going to cut it right now. Only the aftermath of pleasure and aches from where Hasibe scratched and bit, and also tiredness. He could sleep like the dead, which gets one little internal ‘ha’ at the back of his mind.
“Kiss me again,” he says, face turning towards hers. If that doesn’t register, things are about to get very strange in a minute or so.
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“You got my blood in your mouth,” she realizes with hushed, quiet horror. Hasibe sits bolt upright and tries to stand, next to the bed, but her legs are too weak from going under, and she ends up falling back to a seating position on the bed, realizing she’s still trembling a little with physical frailty. “Oh, fuck me, this is not good, I am so sorry--it probably hasn’t hit you yet, but believe me, it will--”
It can’t have been too much, she realizes, or he’d be in severe physical pain right now...but even a couple of drops are enough to put him on a trip for the rest of the night. If she can keep him doing anything too destructive to himself or anyone else until the morning.
Which, even with telekinesis, she doesn’t think she can do on her own. The next time she curses, it’s in Kurdish, not English, and that’s always a bad sign.
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“What?” Obviously what she told him and what’s happening to him isn’t registering, if it ever does. Mitchell scoots back on the bed, eyes wide, pupils dilated as he watches reality shift around him.
His hands curl into fists and clench the sheets underneath him. “Hasi, I’m scared.” It’s not something big bad John would ever admit to; it sounds more like the pleading tone he took back on the first day she met him in the arrival room.
Which means his other side is going to come up roaring soon enough.
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It's like someone mixed PCP and acid in a hideous chemistry vat, a little.
She reaches down to fetch his boxers and jeans, tossing them up on the bed. “Try to get these on for me, okay? I’m going to get someone who can help us.”
Sort of. He better.
Next, she finds her robe (one of them, this one Carine Gilson in origin, soft silk, gunmetal-gray and edged with black lace) and shrugs it on, cinching it at the waist. Her phone should be in her bag, which is somewhere in the hallway.
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Somewhere in his mind, he decides that the bed is too much of an open space and scrambles into a corner of the room. The distortion and the effects of the blood are starting to get too much.
"What is--why is this happening to me?" Even in this addled state, his mind wanders back to ideas of guilt and punishment. Then again, something like this only exacerbates what's already there.
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That's why she picks up the communicator, cradling it to her ear and calling Ivan.
"Hi, I realize I am probably the last person you expected to be calling you, but I really need your help."
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Hasi hesitates.
"Have you ever seen what PCP does to a human?"
People tripping on PCP sometimes try to cannibalize their loved ones. With a vampire...
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Besides, Hasibe has been identified as someone Ilde cares about, and that means Ivan cares slightly more than he would about her throat being ripped out, if it comes to that. (Maybe she's strong enough she's not in danger, but he won't bet her life on it.)
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She takes a moment to calm herself down--her voice is mostly even, but her expression is much more worried than she wants to portray herself.
"I'll see you soon?"
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He doesn't leave Ilde a note, but he's often gone without an explanation. He doesn't think he is going to be in substantial danger of much except being stuck babysitting.
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She can get past, but no one else can. She'll have to undo that when Ivan turns up. Hasi stays just past the doorway, watching him.
"Mitchell."
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"Hasi..." There's an off quality to the way he says it. Sing-song like and not quite all there. When he turns around, he's all black eyes and fangs and he shoots towards the doorway with inhuman speed, only stopping because of the magical barrier.
The fury is visible. He grips onto the sides of the doorframe, trying to press himself against whatever invisible force is there. "Let me out."
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"You'll thank me later. In the meantime, sit tight. Ivan will be here just a minute to help you."
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Which he's intent on using to his advantage. "Please. I can't --it hurts." It doesn't. But he is a cruel and manipulative thing and, even in the haze of his mind, he is intent on doing anything he can to get out of this room.
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"Pain is good for you, Mitchell. It's how you know you're still alive." She glances back over her shoulder, expression inscrutable. "Anyway, you'll live."
But she doesn't want to stand there watching him threaten and plead, so she won't.
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He doesn't seem like he's been rushing, when he gets there, but the speed itself was telling.
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