hasibe ozcelik | norea (
norea) wrote in
multiversallogs2011-11-19 12:10 am
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Entry tags:
- @ griss twist,
- @ griss twist: vault,
- deacon frost,
- hasibe ozcelik,
- ilde decima,
- ivan,
- jack benjamin,
- james t. kirk,
- john mitchell,
- penelope lane,
- rachel conway,
- raylan givens,
- { bruce wayne,
- } angela montenegro,
- } antonin dolohov,
- } gaheris rhade,
- } jules grumley,
- } katherine pierce,
- } njoki rainmaker,
- } sally bowles,
- } tadhg maceibhir
003 | OPEN. red lipstick on the end of a cigarette.
Who: Hasibe Ozcelik, and OPEN.
What: A show premieres at The Vault.
Where: The Vault.
When: Evening til the wee hours of the morning.
Notes: I will set up sections in the comments for people to hang out.
Warnings: WELL IT'S AN ADULT CLUB, SO.
The show starts at nine o'clock, and the bar is full pretty quickly thereafter, but the variety in the club is pretty striking. Xenians in their best suits, non-Xenians in leather and ripped fishnets, everything in between. There doesn't seem to be a lot of cultural divide here between human and not, even given recent issues. Hasibe makes good on her promise to have members of her cohort given seating preference, as she's sweet-talked the cocktail dress-clad hostesses, and the bartenders (in their vague approximations of suits with very open shirts) are aware that she's invited a lot of heavy drinkers. ...she just assumes people in her cohort want to drink--they've been kidnapped to a strange city with many new things to offer, so why wouldn't they?
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"I wouldn't mind. But if you don't..." She tips her head back, playful, but deliberate, too: once someone opens this Pandora's box with her, she considers it her right to drive them up a wall at all times. Excess calls to her, as does hedonism, and sexuality tends to be her preferred method. "Every time you see me across the room tonight, or even think of me mid-conversation--and you will--I want you to think about how I'm going through the night wearing your fingerprints on my skin. Your teeth, too."
Those little bruises and bites delight her, in their way.
"Okay?" And then her smile flashes bright and cheerful, as though that soft, provocative note never happened, and she backs up a step. So innocently.
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Although when Mitchell breaks away with a sly smile, he considers something he previously hadn't. "How smudged am I?" A lot, probably, but he lacks a reflection to check. He rubs at his face with the back of one hand.
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"I'm going to have to forsake the lipstick around you, I see." She waves the tube in his direction. "You're different like this."
With his persona down, but not wholly the killer, either. Somewhere in between. (She likes it, though, as is probably obvious.)
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But Herrick isn't here. Neither are George and Annie. It can feel dizzyingly weightless.
"I'm not sure what 'this' is yet."
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"You don't have to," Hasibe says, reassuringly. "Just...feel your way."
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"That seems to be tonight's theme." He lightly rests his chin on her shoulder for a moment, before adding. "Although I think I better leave before I change my mind about being dressed again."
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"You'll see me again soon, I promise. I do have some company staying at my apartment at the moment, or I'd invite you back." Hasibe likes Sally well enough to let her crash there, but is not sure a vampire with the more-than-occasional desire to eat people should spend a lot of time around her.
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"In the meantime, I'll hold you to your word." It's said gently but there's an insistence there, underneath it all. "But for now I'll have to love you and leave you." One more kiss --this time to her cheek-- as he moves off to leave.
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It would be hypocritical, really, to say 'be careful' out loud. Trouble will find whoever seeks it, so she lets him go without a word.