Angela Montenegro (
thenormalsquint) wrote in
multiversallogs2011-11-08 07:03 pm
» she saw the pictures and painted them
Who: Angela and You. YES, YOU!
What: Come be drawn like one of her French girls.
Where: A street corner a few blocks away from the inn.
When: Early Misdi afternoon
Warnings: The warning is... it's Angela.
On this chilly, yet sunny afternoon, Angela Montenegro can be seen walking down on of Baedal’s many streets, dragging behind her is a little red wagon filled to the brim with art supplies. Where she got the wagon isn't important; what is important, however, is what Angela's planning on doing with the equipment.
Setting up is done quickly and easily with the finesse of a pro (this isn't her first rodeo, kids.) One sketchpad is placed on an easel and flipped to a clean page where Angela scribbles in thick black marker:
ART DONE BY PARIS TRAINED ARTIST – 6 SHEKELS EACH PORTRAIT
She stands back and eyes her handiwork before an almost evil grin spreads across her face. And in smaller, but not too small, letters, Angela writes the words:
NUDES ARE WELCOME. 1 MARK.
And in even smaller letters:
PLEASE HELP ME NOT STARVE. SUPPORT THE ARTS!
And in almost illegible letters towards the bottom right corner of the page:
Please? I don't want to do death masks anymore. ):
What: Come be drawn like one of her French girls.
Where: A street corner a few blocks away from the inn.
When: Early Misdi afternoon
Warnings: The warning is... it's Angela.
On this chilly, yet sunny afternoon, Angela Montenegro can be seen walking down on of Baedal’s many streets, dragging behind her is a little red wagon filled to the brim with art supplies. Where she got the wagon isn't important; what is important, however, is what Angela's planning on doing with the equipment.
Setting up is done quickly and easily with the finesse of a pro (this isn't her first rodeo, kids.) One sketchpad is placed on an easel and flipped to a clean page where Angela scribbles in thick black marker:
She stands back and eyes her handiwork before an almost evil grin spreads across her face. And in smaller, but not too small, letters, Angela writes the words:
And in even smaller letters:
And in almost illegible letters towards the bottom right corner of the page:

no subject
"You'll get used to it. As scary as that may seem, it gets easier. Not simple, but easier." And even then, it's sometimes the hardest thing one will ever have to deal with.
no subject
Her smile turns a little wry. "Things don't really tend to be simple, I've found." And she wasn't too sure about easy being a real concept, but then that was the entire basis for all that optimism and cheer; it made coping easier. It made just being easier. In theory, at least. "It's very nice to pretend, though."
A bit more honest then she has been in general, over the last few years. Having your world taken apart, the comfortable spaces you created suddenly disappearing and proving false, can rather throw you off.
no subject
Sounds simple enough, but what Angela leaves out are the hard times, the long nights, the depression, the drinking, the physical pains. Getting acclimated to the situation was a survival mechanism. The list of options of how to deal was a short one and she went through all of them at least twice.
"Pretending can only take you but so far, though," she muses as she adds some red to the quickly developing portrait. "Sooner or later, reality catches up with you."
no subject
Well. It didn't feel much like an opportunity. Angela's second statement, that is another thing to take the wind out of Jules' sails, even if she keeps smiling. There's a brief tenseness to her expression, the fleeting struggle to control something and shove it down where it can't be acknowledged, and she gives herself a few seconds before she looks back up. "I suppose you're right."
She doesn't like it, but she has to admit it. Reality had caught up to her a few times over, by now, but some things she hadn't even realised were pretend.
"Maybe it's kinder not to make any pretenses. They don't really protect anyone, ultimately."
no subject
"No, not really," Angela muses, slowing down in her sketching to think for a moment, "I mean, it helps, but it hurts at the same time. There's no padding from the truth."
no subject
And there's not much padding from Jules' weariness and bitterness mixing together, her inability to find some bright, shiny way to dress it up and make it look better from this or that angle. It's just there, and she's not all too pleased with the result. "Sorry," she muttered, rubbing her forehead and offering a worn-out smile. "It's been a long few weeks."
Eagerly, trying to force herself to a cheerier state, she sits up a bit more. "How's it looking?"