Timothy Jackson Drake-Wayne (Jingleheimer Schmidt) (
notlikeanyone) wrote in
multiversallogs2011-12-31 06:23 am
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Entry tags:
(no subject)
Who: Tim Drake-Wayne (in clever disguise) and Bruce Wayne (doesn't need a disguise)
What: Terrible ideas in undercover investigation go terribly.
Where: The Vault
When: A couple of days throughout the week that make sense!
Warnings: TBE STILL; mention of sexual activities and death; drugging, bondage, and assault.
It sucks to be stuck in a world completely separate and disparate from his own. Even with Conner there as a friend and support, Tim still hates being dragged away from home, and his family and other friends. He can deal with it, of course, he isn't about to let a little case of multidimensional kidnapping stymie him or stop him doing what he's always done, he just doesn't have to like it. So when he's not working (very slowly) on the possibilities for getting out of here, or looking into the job and housing market to prepare for the exit strategy to be a very long one, or keeping Conner company so neither of them get too bummed out or screwed up by this place - in between all of that, he's been doing his best to investigate the criminal state of Baedal. Carefully, he doesn't want to draw attention to himself - not from the criminal element or the militia, not just yet. So it's mostly been plain-clothes snooping, listening for rumours, talking to the right people or simply engaging the long process of finding out who the right people to talk to are. Some parts of the city remind him of Gotham, especially the underbelly, but the people are different, and he needs to build contacts, form a network, before he can really get anywhere.
Not that that stops crime from happening, still, and not that he's going to wait until he's in a completely secure position to start combating it.
One of the places he's heard rumours about is the Vault. A relatively new adult club offering entertainment from the sensual to the... less than reputable, from all accounts. It seems like a good place to start - it's new and popular enough to be attracting some of the larger names or their scouts, he's sure, and clubs like that are often a hotbed of illegal activity he should be keeping an eye on and working to shut down even if he magically doesn't manage to pin down any druglords or gang leaders.
He doesn't have much spending money just yet, so he has to work his disguise to a budget - nothing elaborate, jsut simple and effective. So the first time he shows up at the Vault, he has cheap but effective wash-in wash-out red dye in his hair, spiked into a different style, and simple black clothes on - trousers with a few decorative straps, leather boots, and a mesh shirt with leather straps that draw attention to certain areas but do nothing to hide the various scars he carries. He couldn't really afford enough make up to cover all of them effectively, even just his arms, and the kind of people he's looking to draw in most likely won't mind, so instead he's making a point of showing them off. That first time, he doesn't get in too deep, just hears some meaty rumours and buys or is bought a few drinks that he doesn't drink most of, and is left feeling that there's more to this place he needs to uncover.
It's the second time he shows up, with a reasonable gap not to seem over-eager but not so long he's unfamiliar, that he gets in a little deeper. He takes in a stage show and catches wind that he should really check out the more private offerings, and that's promising. He notices one or two familiar faces, some he's talked to and others he'd only seen before they vanished silently, while mingling in the main room - he recognises one of the men who seems to be a reoccurring but silent presence as someone he's gathered from eavesdropping is called Tom, but again, he isn't approached, and he carefully picks a moment when Tom isn't in sight to slip towards the more private, quieter areas of the club, just in case he's internal security of some kind.
His first stop is the bathroom - easy to explain, easy to eavesdrop, and often a first pick for an out of the way meeting place to conduct illicit transactions. And just as popular for consuming drugs, too, so he's hardly surprised to encounter a small huddle of junkies of some kind - it's in their body language and the suspicious looks they throw at him as he seemingly obliviously, seemingly drunkly sways his way into a stall. And then they apparently forget he's there, speaking in loud whispers to each other. Mostly nothing, but maybe he can overhear something useful about their suppliers, or names of drugs to look into.
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Bruce rises, leaves him, and goes about doing something else - silently. He won't wake him up at any point. Tim needs the rest.
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When he does wake up, he feels groggy and nauseaous, just as Bruce said he would. It takes him a moment to remember where he is, and then he's sitting up and pushing the blanket off, movements slowed by a desire not to cause himself to throw up. Ugh, and his stomach is sore, muscles aching, but that's to be expected, and it could have been much worse.
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As Tim surfaces, he's talking quietly over his CiD with someone - someone full-voiced and Scottish-sounding, and Bruce (Tom) seems relaxed about it, if typically reserved. Whatever they're discussing is too obscured by his awareness of a potential eavesdropper to be properly picked up, and by the time the younger man is stirring, the conversation has ended.
Quietly, and nearby - "You okay?"
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"I feel like crap," he admits, sitting up straight and running a hand back through his hair - messy and slightly too crunchy with gel and cheap dye, he needs a shower. For the sake of his hair and a few other reasons. But, stitches. "Exactly as predicted, so yeah, under the circumstances I'm fine."
He raises an eyebrow just slightly. "Calling Scotland?" Shut up, he's not a morning person, okay.
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Satisfied that Tim hasn't expired during the night, he points in the general vicinity of his torso, indicating he's going to need to take a look at his stitches, though he makes no move to get closer or attempt to manhandle him into it. Once that's established, he points towards the bathroom.
"Will you eat eggs?"
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He's a little curious about the state of his torso himself - his memories aren't as clear as he'd like, after a certain point. He feels stiff, and sore, but there's no throbbing from the cuts, which is a good sign, so he's only a little hesistant to lift his shirt and bare his stomach and lower chest for inspection. And cranes his neck to look for himself - looks like they worked hard to find unscarred patches of skin to mark.
"Sure, eggs sound good." Sudden, sharp pause, and he gives Bruce a guarded look. "... Did you cook them yourself?"
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Tim's wounds look fine - he's ignoring the scarred surface of the rest of him, just like he was last night - since they aren't infected or growing tentacles; that determined, he stands up again and moves towards the door. He pointed the bathroom out, surely he can sort himself for a few minutes.
As he steps out: "If I wanted to kill you, I could have done it while you were asleep."
He is going to go get food, yes.
(Tim can try to dig through the apartment while he's gone - he won't have long, he's just going to the cafe downstairs, and there's nothing left here to glean, anyway.)
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It is somehow reassuring to know that he still can't cook, though maybe that's an odd universal constant to latch onto (if Bruce can't cook, it means he's never really had to, which means he has Alfred, which means Alfred is the universal constant Tim is really seeking out don't argue with this logic).
Tim does spend a moment or two scanning the apartment and poking into corners, but it's clearly a safe house and bare of anything beyond the basic necesseties. So he heads into the bathroom to clean himself up, splashing cold water in his face and then considering how to tackle his hair. He ends up leaning halfway into the shower and using the showerhead to rinse out the dye while keeping his head tilted down, to avoid getting the rest of him wet, and he will try to make sure it's all out before drying his hair so there aren't any suspicious faint red stains left on Bruce's towels.
It gives him time to think, and he knows he needs to call Conner, or at least send him a message - it's not like at home, where his missions are completely his business unless they involve the Titans or he chooses to call in his friends. He and Conner are stuck here together, essentially alone for the time being, and they need to look out for each other. Even if he does prefer to do things solo... he also doesn't want Conner worrying unduly. A worried Super is nothing to underestimate.
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He's not actually gone for very long - the woman who runs the kitchen downstairs has decided Tom is funny (she, genuinely, is not from Earth), and will make his food for him promptly as long as he chats with her as she works. So he's already halfway through his steak and egg burrito, sitting on a bar stool in the dilapidated near-empty kitchen, by the time Tim gets out of the bathroom. There's a second one still wrapped in yellow butcher paper waiting on the end of the counter, something tenuously between a lure and a peace offering, though it comes with no remark or even notable acknowledgement from Bruce.
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He walks over, moving quietly by habit, and picks up the burrito, examining it. ... And then his stomach rumbles. Okay, so it looks good, and he can't really keep to his super fussy egg white omelette and salad diet here, and his body could undoubtedly use the nutrients to help recover from any lingering after-effects of the toxin. He takes a bite, and finally sits down on another bar stool next to Bruce.
"How much do you know?"
Keeping his curiousity relevant to his own world.
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Bruce doesn't answer for a while; ostensibly, it's under the umbrella of not wanting to talk with his mouth full, and this steak, while good, is not exactly tender enough to melt. His silence lingers, though, brushing up against a conversationally rude pause in which it seems like he might not respond at all, then-
"About what?"
(Don't be a dick, Bruce.)
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Tim waits, and gives Bruce a flat look at that response. He in fact goes so far as to get out his CiD and deliberately type out a short text message to let Conner know that he's alive, he got stuck on an overnighter and will be getting groceries on the way back, do they need anything - which is his way of giving Conner an opening to demand something by way of apology for going on a Freaky Bat Mission without him - before giving Bruce an answer.
"About me. About us." He pauses, at length, but he's not sure Bruce deserves quite that level of conversational terrorism. "Me and Dick and how our world differs to yours, basically."
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It's just that kind of conversational terrorism, interestingly enough, that has Bruce so cold. The easy deliberateness of it, that things like you and us can be used so interchangeably to describe this knot of sycophantic children. He takes a drink of water, and then finally looks up at Tim. His expression is unreadable, his voice is dull.
"Enough to know that I upset your brother, and I don't work well with any of you."
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Tim raises an eyebrow at that look, mulling over the words and their wider implications. It's interesting, and ties in with the way Bruce tried to avoid him until it came to the crunch - he doesn't work well with them, he doesn't want to work with any of them, and even though he feels Dick is more competent he still managed to upset him. Which isn't entirely surprising, if he's honest.
"You know, you've managed to upset Dick like fifty times in the time I've known you - in my world - so unless you really mean that he finds your general existence offensive, you'll have to be specific." Only a little dryly sarcastic. "You haven't worked with me, but taking that on merit - do you prefer working with Superman? Because I did wonder sometimes."
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(There are, whether or not it's worth noting, absolutely no signs of even subconscious recognition at the name 'Superman'.)
"I told you already."
None of you exist in my world.
None of you.
Bruce drains the rest of his water, stands, crumples the wrapper in his hands before tossing it nearly absently into the bin. He shrugs his jacket on, and pulls out one of the kitchen drawers, removing a thin file folder held together with a bit of elastic from underneath a beaten up utensil tray. He sets it on the counter next to Tim's elbow. Job listings - technical work, some lobbyist interning, miscellaneous academia, with notes about who is and isn't worth calling.
And that's apparently all he has to say, because after he passes that off, Bruce turns away and heads right out the door without another word.
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He takes his time finishing the burrito and picking through the job listings, noting some of particular interest to look into and grateful for the thought, before checking over the rest of the apartment and snagging a jacket with a high collar. Between that and cleaning his hair, he looks much different, and it covers the stitches and bruising on his neck better than the mesh shirt, so when he leaves it shouldn't arouse any undue interest from anyone, hopefully.
He considers the availability of electronic equipment in Baedal, then the chances that Bruce would take him to a place he hadn't bugged in some fashion.
"Thanks for the job listings. I'm borrowing a jacket. If you want it back, or decide we need to talk, you know where to find me."
If he's wrong, he just talked to himself in an empty apartment, with no-one around to be embarrassed in front of. Message potentially left, he heads out, slipping into the alleyways and from there into the streets.