http://heardmermaids.livejournal.com/ (
heardmermaids.livejournal.com) wrote in
multiversallogs2011-06-27 09:50 pm
And be it gash or gold it will not come again in this identical guise. [OPEN]
Who: Sebastian and YOU? (Also, Podder and Sol.)
What: Part open post, part wizard talk.
Where: The open post can be for anywhere in Hellsing Guild House or Baedal.
When: Newdi
Notes: I've been so slow about posting this open thread. *sob*
Warnings: None, yet.
Always adaptable, Sebastian has found it easy to settle into life in Baedal. There are times when he thinks it's the best of both worlds: he doesn't need to lie about his abilities (or lack thereof) and he's able to do useful, constructive things. Most of his days are filled with rebuilding and repairing the Hellsing Guild Hall and the evenings walking through the city or working through Malfoy's never ending reading list. It's not an ideal existence, but for as long as he's in exile from Britain it's the best he can hope for.

For Sol
A few days ago, Sebastian sent a short message arranging a time and place to meet Sol.
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He's there (lit cigarette in hand) when Sebastian arrives to meet him.
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"Hullo," he says with a bit of smile. As always, Velcro is tagging along near Sebastian but he's not wearing his vest today and appears to be giving both the wizards (mages?) a bit of space. If he's not working for Sebastian, there are important dog things, like chasing groundhogs, to do.
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"I'm glad you got in touch," he says, breathing smoke out and thinking not for the first time about how he should probably actually quit sometime in the near future. (It never happens, but he genuflects to good sense now and then.)
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"I don't really know where to go from here though. When I try and explain things to Malfoy he gives me this look that says I was raised by wolves and know just about as much as Velcro."
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"Which didn't stop my talent from cropping up in strange ways: talking to snakes, outrunning bullies, and things like that. I tried to stop, I tried anything to stop and nothing made it go away." His voice is distant, as if he's working to maintain a strong separation between events and his emotions. "One day, when I was ten, letters started to come and when my relatives didn't answer, eventually, the wizarding school sent someone to take me away and it was wonderful. I had a birthday cake."
"After that, six years of practical education. All spells were taught by rote, with latin or latin-like words, specific actions, and that was the norm. All wizards need a wand and very few can cast without one -- I could, still can," he says wryly. He might not be able to cast a variety of spells, but there is power in the one he can wield. "It was brilliant for me. I was always very poor in written work, didn't really read anything until I got older, but the hands-on was good. I didn't do well in memorizing spells or the fussy things, but for charms or defense against the dark arts, I did well. And, Merlin, I could fly to beat the best of them."
"Even in my first year, the war began again and I was fighting. It continued on, with periods of quiet and short, hidden battles for years until I was eighteen and then it was all war. There was a lot of disagreement on our side because it wasn't considered sporting or, ah, appropriate to adapt spells, but I thought it less sporting to die because the traditional counter-curse didn't always work." Sol might notice that it's easier for him to talk about war than his early childhood. "In the final days of the war, we found a way to remove the magic of their leader by tying my talent to his and ripping them both away. So, we did."
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(Ambrose's memories are never so very far away, and it is a dying father's rage that echoes hatred of the church to the idea of Sebastian given to such people as he imagines lie behind those words without detail.)
"It isn't gone, though," he says, probing.
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"Mind some company?"
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He says it as though he's not sure if he's saying it right.
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"I don't think I've your name though."
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"It's too bad there aren't any Verrari in the city," she says, to no one in particular. "One proper artificer could make a killing." Though it's more or less rhetorical, she addresses whoever happens to be next to her, from habit.
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He may be taking her comment about the moment of one's death a little too literally.
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She offers a smile as she passes the man and his dog on the sidewalk, just outside a tavern. She's been out shopping--she has a small bag tucked under one arm--and she's headed back to the Inn.
She glances up at a sign over the door as she moves, eyes darting up and then back to the path ahead. Two more steps, though, and she slows, biting her lip. She knows that name.
...Responsibility rears its head again.
"I'm sorry," she says, turning and moving back, offering a bright, reassuring smile. "If you were considering a meal at this place, don't. The mussels are bad."
Contaminated. Not handled well, and people are going to get ill from them by morning. She can't very well barge in and announce it, though--she'll get tossed out. But at least she can warn one person?
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Sebastian has never really gotten used to the fishiness of mussels and probably would've avoided them anyway, but he's not one to ignore freely given advice. "Is there somewhere else you'd suggest?"
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That's the hard part of never leading with so fifteen years ago when I was inexplicably ill I had the most random visions about my future and now I know things I shouldn't--there's not always an easy way to cover. Hopefully this suffices.
"I'm afraid I don't have very extensive experience with the city. I'm a recent arrival."