( i could stop this catastrophe ) (
inkdamage) wrote in
multiversallogs2012-02-03 01:12 am
Entry tags:
you chip away the old version of you
Who: Severus Snape (tiny) and Lucius Malfoy (not tiny).
What: Eating death, basically.
Where: ?
When: Nowish.
Warnings: Premeditated murder; violence both physical and magical, mind control/violation interrogation tactics, references to assault, explicit torture.
If there was ever a time to want to wish for company - or for backup - it would have been weeks ago, when he set his odds against Bellatrix. Now, with the element of surprise and all the time and magic in the world against a handful of unpredictable but certainly mundane targets, he's got the upper hand by miles. But sometimes he's just dying to learn the hard way.
On the patio of a rustic, wooden diner, lurking in the dim light that does little to combat the night, Severus sends out a text.
It's a little funny, he thinks, how adept he's gotten at using this thing; he was always the one who could sort through whatever simple Muggle artifacts hampered his acquaintances, causing in them both wonder and suspicion. Even though this sort of technology is decades off for him still, he's taken to it with ease - just as he does with magic. A bitter thought. Truly a child of both worlds.
On the patio of a rustic, wooden diner, lurking in the dim light that does little to combat the night, Severus sends out a text.
Someone has been burning witches.
It's a little funny, he thinks, how adept he's gotten at using this thing; he was always the one who could sort through whatever simple Muggle artifacts hampered his acquaintances, causing in them both wonder and suspicion. Even though this sort of technology is decades off for him still, he's taken to it with ease - just as he does with magic. A bitter thought. Truly a child of both worlds.

no subject
Good.
Maybe next time they'll actually talk about ideology. (Or not.)
Severus lays out the details: they're a few blocks away, where specifically, the individuals involved, their recent activities. He's worked fast and effectively, without a great deal of stalking - he's not an investigator. He's not uncovering a conspiracy. This is practically a hobby; dispassionate, because he clearly doesn't care at all about the lead-up. They need to die, and that's what his goal is, all this necessary bullshit is just getting from point A to point B.
When Lucius is ready to go, they'll set off in the dark.
no subject
Which isn't to say he
might notwill absolutely spirit out a little enjoyment from the whole affair, but he is his own lost cause and doesn't count. He can trust himself not to be Bellatrix, in any case.Beyond a few fiddly questions about logistics and other curiousities, Lucius requires nothing but his wand; he follows.
no subject
There are two men and one woman in the sitting room, and to their credit, they are not shocked into silence - there's yelling, grabbing for weapons, shouting angrily, demands - Severus casts a stun spell and only one man falls; apparently the other two have some kind of protective talismans about them. The woman rushes Severus and he lets her, then catches her a foot from him in the grip of a spell that splits the joints in her knees and shoulders. She screams, he murmurs a summoning spell that yanks the talismans off her. Above them, thunderous footsteps of people beginning to bolt downstairs can be heard.
no subject
The talisman is summoned in kind and caught in the split second after Severus obtains the other from the woman.
His wand points for the door, then. It is convenient that they are coming to them, he thinks, more or less calm at the chaotic sound of many footfalls and shouting, if stiffly alert. He flashes first a disarming charm at the first sign of movement; the stunning spell proving to be only a fifty-fifty thing.
no subject
The man is deposited unceremoniously on the floor, back against the kitchen cabinets, while Severus pulls a glove out of his jacket pocket and onto his left hand. Ever since facing Bellatrix, the Dark Mark has burned (first to charring), and it still gives him some discomfort - hence putting a layer between metaphysical connectivity, now.
He doesn't bother telling Lucius to keep an eye on the rest of them; that's what he's here for.
Severus drags a kitchen chair over to sit on, and then grabs his victim by the neck, forcing his head back and meeting his eyes. He speaks no spell, but the sudden full-body twitch that the muggle man suffers despite the stun that grips him is evidence enough.
no subject
He moves to eventually stand and lean in the kitchen door, checking the time on a pocketwatch, and with more visual attention paid towards the room with the unmoving and/or struggling bodies.
no subject
He joins the older man in the kitchen doorway, looking out at the four living captives, searching. He saw the person he needs in the dead man's head, but they're all squirming about trying to cover their identities. He knows it's not the woman - some part of him is grateful he won't have to torture her for it - and so he points and says, quietly, "Avada Kedavra." A glimmer of light, and there are only three living captives. It's the only kindness he'll be doing tonight.
"One of you volunteer. Or we'll just pick."
no subject
Immediately, and possibly not necessarily in true response to the wizards' words, the man being in a continued state of being strangled hoarsely grunts out what might be a curse, or indeed an answer. It is hard to make out. Regardless, Lucius spares the heavy lifting by directing the ropes to do it for them; muffled words are abruptly cut off, and the terrorist is dragged across the floor, following the path Lucius' wand makes towards the centre of the room, neatly flipped upon his back.
(And Lucius had noted Severus' particular brand of magic use, and filed it away silently for another time to question as he does with most peculiarities.)
There is satisfaction in treating them like this. Lucius can't say he never found his history rewarding at times.
no subject
He looks for names, faces, memories of meetings and conversations, the locations of anything incriminating. There's not a wealth of it, but it's enough to get the leads he's looking for; the bitter hate that flows through the man under his hands for magic-users is familiar. It feels like his father, and it makes the cruelty in which he works even more jagged around the edges. He remembers, in moments like these, just why he took the Mark.
After he's taken everything he needs and left the rest of the man broken, he backs away mentally. The man - Anders, whatever's left of him - gasps brokenly as best he can, spitting out a slurred but still passionate, hateful insult. Severus squeezes his throat, doesn't smile. Cruciatus flows through him where they're connected and Anders shrieks, muffled, spasming until he gives up. The light leaves his eyes as Severus watches. And then he drops him to the floor.
He steps back, shaking his right hand again - this time there's blood around his wrist near the cuff of his coat, and he grimaces, but only in mild irritation. It's not Anders' blood.
"There are documents upstairs in a green box, in a floorboard. Information to compile a hitlist."
no subject
But Lucius wordlessly Disapparates to go and seek these documents. Taking something of a mallet approach, there is soon the sound of a wooden floor being indelicately broken open one board at a time in swift, almost musical succession, a few thuds and crashes of furniture waved aside, the noise echoing through the building but never escaping the walls. It stops not long after.
About half a minute later, once he has at least opened the thing and had a rifle through to see if the pages truly held anything of worth, Lucius appears once more, carefully sliding the pages back into places. Grainy candid images, screencaps from broadcasted network video posts, transcripts, CiD numbers, addresses.
"They've been rather busy," he says, not quite carelessly setting it down on an available flat surface. There is a steeliness to his expression, a similar edge that's sharpened his tone, settling his wand to point at the nearest still breathing body. "Finished with them yet?"
no subject
"Not quite," Severus says, dispassionate and nudges the prone man with his foot. He flinches away. "We were having a heart-to-heart. It seems he's particularly fond of beating unconscious women."
Severus twitches his wand and his prisoner hisses, there's a particular twisting noise from the floor. Some unpleasant curse, impacting unseen ... parts, internal or otherwise.
no subject
The man writhing at Severus' feet offends him. And so the incantation summons fire; it is not a spoken incantation, and it is not true fire. Flames of deep purple snake out from beneath the terrorist's clothing, smokeless, and instead of burns, it leaves behind bruises and sinks bone deep. A curse that can be flashily frightening and damaging, and thus, useful on the battlefield.
But not useless off of one, in Lucius' opinion.
no subject
It would have been one thing if Severus looked into his head and saw evidence that he felt assaulting someone that way was a mercy, but no; a grotesque coward through and though. He watches him for a moment, and then points his wand, casting a spell - a small, otherwise harmless one. An invigorating spell. No healing, no helpful adrenaline. Just making sure he's still completely and fully awake. The man makes a pained, miserable, angry noise.
Maybe none of this matters. He'll be dead soon anyway.
Outside a few drunk club-goers stumble down the street, laughing, oblivious to anything going on inside; this evening has become so nostalgic.
no subject
It's not really a mercy so much as it is time management.
The sounds of the outdoors fails to make Lucius nervous, quietly confident in the spells cast to keep things outside from getting in, and things from within getting out. He gestures towards the documents. "Is everyone who knows of these dead?"
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"In specifics, yes. There is at least one other individual, either an informant or superior, and his assistant. I assume that person expects these men to have kept notes somewhere." Almost absently, Severus shoves the now-dead man over with his foot, and stares down impassively at his face.
"I'll be interested to see if anyone has anything to say about this."
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"That depends on your interest in loose ends, I suppose. Your friend can rest easily," a loose and sarcastic gesture about the place, "as things currently stand."
no subject
A flick of his wand and the documents float over to him so that he can inspect them without touching, and duplicate anything (potentially everything) he finds to be noteworthy. The portkey spell would be easy enough, but it's the end location that requires further thought. Surely, a secured location, one devoid of sinister shark pits or sharks with lasers, but something less than comforting, too. (Those details can come later.)
Almost absently: "What an infuriating example this place must set."
Everyone living together sickeningly peacefully. (Compared to wizarding Britain.) Handling this without living in a guerrilla combat unit. Existing openly, the integration of culture. How dare they all, etc and so on.
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"Cooperation occurs on any level," he adds, wand flicking and another similar amulet rises from one of the corpses on the ground. "When it suits."
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"What people can tailor themselves to has interested me more and more, of late."
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Clipped, reserved, removed. What Lucius himself can tailor himself to has been a thing he's avoided thinking about in depth, and he will give the same careless lack of thought with regard to how comfortable he feels right here. Instead, he places the hovered amulet somewhere where Severus can reach it. "Whatever means you used to find the culprits behind the note," he says, "perhaps you might exercise the same on whatever wizard or witch was coaxed into making these."
no subject
In complete incongruity to everything-
"Thanks, Lucius."
no subject
And it's true; his nature is to advise, and offer suggestion, and coax others into taking the lead, and following. Which doesn't make it not his business, when he adds, "I'll be interested to see where this leads." And with that, he takes it upon himself to go; reality bends a little around him in Disapparition, and he does so silently.