a certain absence. (
astronomer) wrote in
multiversallogs2012-08-20 02:09 pm
Entry tags:
open log } swapping your blood with formaldehyde;
Who: Alice Morgan and you.
What: A few days in the life.
Where: Everywhere; given locations are Brock Marsh, Creekside, Gallmarch, but she can be anywhere.
When: This week, essentially.
Notes: The main post is rambling narrative and context, feel free to skip it. Tag in anywhere, or feel free to post your own situation. PM me or get me on plurk if you feel the need. :E
Warnings: ...Alice. Idle fantasies of murder, general hideousness.
The city is monstrous.
Alice has been in Baedal for just over three weeks, and every morning she wakes up surprised- is it still there? Yes? Really? It always is, outside her grainy and dirty (she has taken a sponge to it to no avail) Brock Marsh window; Baedal, fuming and smoking and twisting away from her, hemmed in by grey-white fog and fear.
She has been following, but hasn’t posted to, the Network. She hasn’t really met anybody but Krithn, the distracted star-mapper she’s been assisting, who forgets to shave and forgets to eat and forgets what he’s paid her and can always be relied upon to shell out more than he should if Alice takes a gentle tone with him and suggests that an advance on her wages would be appreciated, not mentioning the numerous other sums he’s advanced her. He hasn’t noticed that she’s a genius, but he hasn’t noticed much on ground level for years. He disgusts her. She steals his keys. She studies his maps and charts and books when he’s not in.
It occurs to her that perhaps she should have cried on the network, that most people- most of them who are Chosen- must come to their cohort damp with tears and nigh hysterical. It isn’t that she hasn’t cried- she has, for the sheer impossibility of it all, because she was so angry, so indignant, so sure she was straight-jacketed in some padded cell in the real world and it was all so revoltingly undignified- but only for herself. Emotional exhibitionism doesn’t thrill her. It simply didn’t occur to her, at the time, that she should make the effort. She was shocked, briefly, into numb honesty- the truth is that she was and is afraid, of course, afraid and angry and bewildered, but her emotions have never had the power to paralyse her. She’s stronger than them.
And is she mad? Alice thinks about that, eyes drifting from one of her borrowed books to the pavement as she sits outside a cafe in Chimer; is she mad? No, she reflects, staring up at the Cathedral of the Holy Cross, rubbing the corner of a page between her fingers. On balance, having recovered from her fit of panicked fatalism, she’s probably not. And that makes things very simple and very complicated by putting her in a familiar position- in a world which makes no sense, upon which people are desperately trying to project order, in which people are trying to eke out lives of some significance.
Some things are constant. (She glances away, across to the xenian waiter who brought her her tea--) Some things are not.
Prison was worse. Prison was better.
So now she works and saves and reads. Her room in Brock Marsh is slowly filling up with books, like every other room in Brock Marsh. Soon, she will outgrow it; she has her eye on apartments. She budgets in pencil down to the last penny, though they aren’t called pennies here. She wears carefully-selected reasonably-priced clothing which doesn’t look reasonably-priced, and invests in expensive shoes, because she intends to do a lot of walking, already thinking in investments and futures and long-term plans. It’s in her nature. It helps. She burns the hospital gown she arrived in.
Despite the care she has taken to claw some temporary stability for herself out of the chaos of Baedal, Alice feels swamped by the city, unable to breathe for all the things she doesn’t know. (How dare they do this to her, make her drown in all this nonsense, how dare they try this with her?) It is a language she doesn’t speak. It is threatening, hungry, consuming. It drags its citizens in and it eats them alive.
The city is evil.

verbatim, creekside | misdi;
Right now, Alice has books on space and time, the ecology of the Gross Tar, the history of stelanmancy, legends about the fog disguised as a scientific treatise, the culture of Baedal (what culture, you senseless, mindless fake, you’re a bloated and rotting existential patchwork, a Frankenstein’s monster of a city), stacked and balanced on her hip, against her side. She almost looks like she works here, or at least she doesn’t look like the other customers, hesitating and enjoying the temptation of this book, that book, muddling along in peaceful, scruffy quiet- rather, there’s a purpose in her actions which makes it seem like every move she makes is according to some kind of plan.
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He likes Verbatim; he finds it quaint, and he is something of a cat person. Cats don't need you, which is generally comforting. One is investigating his shoe, but he pays it no mind.
There is no blood on him, but there might as well be.
As Alice comes near, he moves a bit. "Did you need to get to anything?"
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Auspicious, perhaps.
She saw him from across the aisle, and in fact moved closer out of curiosity. She smiles, cradles her prospective purposes. "The true crime section caught my eye," she says; he's blocking part of it.
This is a serial killer litmus test, and a decent conversation starter; Alice isn't actually interested in true crime. Well, not in reading about it.
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He wondered, sometimes, if there were so many worlds that it meant everything was true. It didn't much matter, but it was amusing to think of, now and then.
"Though I can't say you struck me as much of browser." Alice seems intent, focused in a way that seems familiar to him, in a general way. She's interesting, which can't really say anything good, given Ivan's interests. "I'd have expected you to have a list."
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"And what good would a list be if I weren't able to add to it?" she inquires evenly, a fingertip running along the spines of the books in front of her. "There's efficiency, and then there's rigidity. I consider myself adaptable." She plucks a book from the shelf- one which strikes her as genuinely interesting if slightly mis-shelved, criminology rather than sensationalist crime reporting. Crime in Baedal must have its own flavour, and she must familiarise herself with it. As if to emphasise her point she holds it up with a bright smile so he can see, before adding it to the stack she's carrying.
Unless he's putting on an accent, he's not Lucian Burgess- for which Alice is rather glad. Burgess seemed so dull.
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She doesn't seem to be put off, and he's intrigued enough to bother with chit-chat when he usually wouldn't. Not unless he was hunting, but he isn't at the moment. (He wonders if she'd put up an interesting chase, though, the way sometimes one wonders whether a stranger would be good in bed.)
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It still doesn't worry her in the slightest. She is (she has heard from some very reputable sources) slight not right herself.
"Pleasure, largely; or more accurately, curiosity, but then the satisfaction of curiosity is a pleasure. One doesn't realise the amount of trivia one has retained about the world in general until it's made irrelevant." There is something sweet, if slightly petulant, about her tone, and she accompanies it with a smile- a brief and conscious implication of vulnerability.
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Ivan knows quite well that it isn't precisely what she meant. (Though his point, he thinks, still holds.) He's not sure how to read her entirely, which makes him contrarily want to.
"How long have you been here, then?"
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"Not long enough to stop thinking of it as a foreign country," she says. "Just under a month. I'm sure the honeymoon period will soon wear off." She says that with supposed perfect seriousness and a blithe smile, only the glint in her eyes and the sheer absurdity of the idea that Baedal has a honeymoon period suggesting she's joking.
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He's also interested to see her reaction to 'monsters' as a concept.
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She hisses in her breath through her teeth, mock coy- "Oh, do you think so?" she says, like he's suggested they're long overdue for a patch of sun. "Then I look forward to being broken in immensely."
--watch it, Alice, he's taken, but she's not really angling for that; she ticks all the boxes of flirtation without ever really trying to make it anything more than a box-ticking exercise. She could be more convincing, but sees no need. "What was it like? I've read accounts. Newspapers. All very detached, very...third-person."
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"The newspapers here, as everywhere, have their own agendas, but get in shouting distance of accuracy in my experience. I've been here a while; is there an event in particular you'd like another opinion about?" If not, he can pick, but if she chooses, he'll be curious to see which draws her first.
He likes that she's playing with him. It's been some time since anyone was both bold enough to try and smart enough to be effective at it.
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"Why don't you tell me," she muses, "about the very start of the flood of monsters in Kavadry. What you saw and what it was like, being there."
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"I don't recall what the papers said, about how it started. There was a political scuffle of sorts; Mafaton was closed off, so I was a bit busy when the sky started changing color." Ivan paused, adding, "You know, I never quite went through it with anyone. Everyone had their own fallout to cope with at the time."
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She's sure he won't mind.
"Does that make me a confidante?" she inquires, sounding more curious than a half-joke really should warrant.
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"It was citizen fighting citizens, and then suddenly it became everyone fighting actual monsters. Not as pretty as the film sort, but enough to keep one occupied."
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"Actual monsters," she echoes, not asking him what he means by it so much as pointing out what he's just said with a grin on her face. She doubts he's human, but then it's hard to tell sometimes and she's not entirely sure it matters. "Do you miss it?"
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"I wouldn't tend to pick a fight with a species who saw mine as a viable food source, even if they were a minority population. But perhaps that's just me."
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The cruorvores fascinate her somewhat- she likes destructive things, and she finds the idea of something that literally drains life to sustain itself harsh and attractive. Pure evil. It's as horrifying as it is magnetic.
"Fear," she suggests, painting motivations onto the Candlelighters she's read about. "Arrogance. Stupidity. All the usual reasons people make ill-advised decisions. Some people, I suppose, just don't care- but from what I've read, I can't even credit them with that." As if not caring is something to be respected, an appropriate response to existence. "Were they fun to clear up after?" she inquires, looking rather wicked; she's letting the mask slip quickly here, she realises, but it's intentional. If he won't hide, then she doesn't see why she ought to.
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He smiles in answer to her question, and it seems for just a moment his eyes darken, though they don't truly flash black as they would if he were a bit more vivid in his reminiscing. "And yes. I did enjoy that. They'd had it coming a while." And he'd been caged too long; his leash is longer even now than caution dictates it really should be, but he's restless still.
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"I'm Ivan," he adds, after a moment, because they've been talking long enough he feels like offering his name. As if it's a token she's earned by being interesting.
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"Alice." She holds out a hand, gives him a look like they're conspiring; "Right through the looking glass, seeing as we're in the proper place for literary references."
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"Well," she says, and she voices it as though it's an answer to his question, "I should tell you that while I'm delighted with what I've discovered, I have no interest whatsoever in reading about true crime." She seems to come into focus, a smooth hardness appearing in her hushed voice. "In fact, I find the concept boring, voyeuristic and slightly pathetic. I came over because I thought- perhaps- that you were a friend of a friend from home."
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"May I ask who you thought I was?"
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She shifts her weight again, transferring her books to her other side, and then she taps her hand once on the cover of the top volume with a calm click as if she's decided something. "Are we loitering with intent?" she asks brightly. "I have to pay. Would you like to have coffee, Ivan?"
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"There. All stocked up. There's a charming cafe just down the street," she suggests. "Someone I knew once told me that one coffee doesn't make two people friends. What do you think?"
Steady on, perhaps, considering they've known each other for under an hour, but if Alice forms any attachments, they're fast and slightly unsettling. She frames it as a more or less academic inquiry, in any case.
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