Irene Adler (
thedominatrix) wrote in
multiversallogs2012-06-24 05:58 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
→ take me to wonderland.
Who: Irene & guests.
What: Birthday drinks.
Where: Syriac Well.
When: 24th Shadri.
Notes: An outfit.
Birthdays are busy when you maintain a variety of different social circles. There's the enormous, lavish, exclusive party she throws, where she stays stone cold sober and pushes drinks on everyone else, to fascinating results- there are numerous private one on one dinners for the people who all need to feel like they're her favourite, like they're getting the special treatment, poor things, and that's almost fun just because of how dishonest it is except the boredom tends to negate that. But then there's this, which is play and not work, Irene inviting people because she likes them rather than because they need to feel invited, and because when she likes people she has to insert herself into their lives and demand as much of their attention as possible.
The surroundings are incredibly sumptuous, of course, stirred by a slight breeze from the open balcony doors. The atmosphere is intimate, private, slightly heady and unreal, urged on by some excellent wine (far from the only thing on offer, of course, but particularly notable) and Irene's languid charm, her usual society persona toned down ever so slightly as if to say well, you all know the truth, which is a very insidious sort of lie that she can still have fun telling. She's being very attentive to her guests- an uncharitable observer might suggest, in fact, that she pounces on them as they arrive.
But they wouldn't get an invite.
The surroundings are incredibly sumptuous, of course, stirred by a slight breeze from the open balcony doors. The atmosphere is intimate, private, slightly heady and unreal, urged on by some excellent wine (far from the only thing on offer, of course, but particularly notable) and Irene's languid charm, her usual society persona toned down ever so slightly as if to say well, you all know the truth, which is a very insidious sort of lie that she can still have fun telling. She's being very attentive to her guests- an uncharitable observer might suggest, in fact, that she pounces on them as they arrive.
But they wouldn't get an invite.
no subject
In one hand, he holds a thin, softcover book wrapped in plain, but good quality paper.
no subject
Well done, those Malfoys; Irene's quite impressed by how he's holding up. This might be a surprise, considering the fact that she does rather enjoy taking people out of their comfort zone- but then she likes watching people manage to find their feet, it's heartwarming.
"Well, now. Can I offer a drink?" She grins at him, and grins at the present in his hand, sly and wicked. "What've you got for me- is it rude to ask, or charmingly direct, in your opinion? People can be so funny about presents."
There's a glow emanating from the balcony doors; Irene had considered candles, but Beatrice is somehow more stylish- and she'd been struck by the strange idea that the snake might enjoy showing off.
(She rolled her eyes at herself when the thought occured to her, but Beatrice actually seems to be proving her right; she winds in shining circles when approached).
no subject
"I'll go with necessary, because it comes with instructions that I suspect you won't want others to hear." Under the paper is a plain, used copy of Shakespeare's sonnets with a simple, uninspired dedication on the flyleaf. The cover is nice enough looking that it wouldn't be entirely out of place among Irene's belongings, but there's an odd sense of disuse to it. If one didn't intend to pick it up, it's quite possible that the eye would just slide right over it.
no subject
"You are a secretive one. Go on," she says, her voice a low, excited murmur.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Well, she's here, anyway, so it's a bit late to flee and buy something else.
“Happy birthday,” she says, beaming.
no subject
"It had better be. You're a darling- and you look fabulous," she adds- Ilde gets a hug and a very careful air kiss to the cheek (no point in getting lipstick all over her). She means it, even though it sounds like something easy to bat around without any significance, a social nicety; she's always liked Ilde's aesthetic- and that's an important thing in friendship. Yes?
no subject
A hug helps, in its place; a little affection has always gone a (worryingly) long way with her.
“Thank you! I was aiming for fabulous, I thought it'd be nice to complement you.” See how smoothly she made that into a compliment for Irene. Clearly she is fine at socializing sober. “I brought you this,” she adds, offering the box when they separate again. “Should I put it somewhere or do you want to open it?”
no subject
She unties the ribbon carefully, and opens the box with very delicate movements, a glint in her eyes that is entirely real- she loves presents, both for the simple materialistic pleasure of new things and what they reveal about the giver, the receiver, the relationship.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
The gift she's brought is slightly experimental, and her first concern is finding somewhere to put it that it won't get wrecked before Irene has the opportunity to properly enjoy it - a miniature tiered cake, topped off with a very carefully crafted marzipan Louboutin, complete with red sole, a detailed small replica of a shoe Benevenuta remembers seeing Irene wear. The cake itself is red velvet, iced black, and it took her hours to get right.
no subject
"Oh my God," she says instead, actually laughing- delighted. "Here, come into the kitchen a moment, quickly so no one sees and gets jealous. Oh, it's beautiful."
no subject
Putting it down on the kitchen bench is actually sort of a relief-- “I was hoping to give you something, ah, unique? I hope you like red velvet.”
no subject
A wicked grin and, as if to say for example-- "Nice necklace."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
It's unusual for Mycroft to go anywhere with company—he keeps very tight schedules and can't abide the unpredictability that traveling with others often involves—but he'd decided to try it this time, since ignoring the fact that Flyside was directly on his way to Syriac Well would have made no sense. In the end, any worries he might have had were rendered moot as Alan proved to be both on-time and, as ever, pleasant company.
Entering Irene's flat brings with it an instant curiosity. This is a place that's been closed to him for some time, now, and although no one plays the waiting game like Mycroft Holmes, he's not above feeling pleased and even excited when an opportunity to learn something new finally presents itself. It's a kind of thrill he knows Irene also enjoys, a fact that had been on his mind when he'd finally settled on a suitable gift.
Speaking of the gift, it's nowhere to be seen.
no subject
"Don't you look dashing- both of you."
She's got a glass of wine in her hand, and her expression suggests that she rather thinks Alan Shore would go well with it. "Mr Shore. Gosh, just look at you. What an thrill to finally meet you with all your clothes on." A glance to Mycroft, eyes wide and innocent, expression who me over her wine glass, soft and flattered--
"Though honestly, you needn't have wrapped him."
no subject
Which isn't to say the woman of the hour's appearance doesn't inspire a certain anticipatory excitement; nor is it to say Alan shies from flattery at the ever-capable hands of an expert. He breaks off smiling to adopt, fleetingly, an expression of mock-chagrin at his fully clothed state, and goes on to watch, with a blend of interest and undisguised amusement that's the closest he'll come to approval, something pass between his two companions.
"It removed the temptation to play with me on the way over,” he says, his innocence false and raffish as a gold tooth. He looks—in the event there was any doubt—unspeakably pleased with himself.
no subject
There's a quick, bright swirl of reactive thought upon hearing the words—a brief vision of Alan's face, relaxed and healthy, every detail burning so real (every color, every eyelash, the sound of his voice)—which momentarily flavors Mycroft's expression with a subdued (but honest) kind of astonishment. He's shortly transforming that astonishment into something perceptibly facetious in order to play along with the joke, and the transformation is smooth enough that in most other company it would go completely unnoticed.
He's aware, of course, that Irene and Alan are far from 'most other company'.
“Putting aside how tempting Mr. Shore may or may not be,” he says, allowing himself to remain vaguely scandalized, “he is unfortunately not your gift, Ms. Adler.”
(no subject)
(no subject)
no subject
It's a simple gesture and a couple of hissed words that allow Beatrice climb out of her glass and wind up and around his wrist.
no subject
He's been curious about the snakelike being since he arrived; the fact that Sebastian is now in its immediate vicinity can only be considered convenience, since speaking to the young wizard has also been on his to-do list. As he approaches, he sees the other man say something—and in this case, the seeing absolutely reinforces the believing. If he hadn't watched LeMat's lips move, he'd have thought the sound came from the snake.
Very curious.
Once he's sure Sebastian must know he's watching, Mycroft speaks. “Is that a language?”
no subject
"Parseltongue, yes. It's a way to talk to all snakes, but I can't tell you how it works because I don't really know." He's spent some time thinking about it, because he's sure that not all snakes are sentient and able to hold a conversation, but they seem able to when he speaks to them. Perhaps the magic of being a Parselmouth is that you can 'loan' out a bit of consciousness? "If you keep your hands cupped together, you can hold her?"
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
When the proper time arrives, Vannesza Bernát is refreshing her drink and Mycroft has just finished his own. He joins her by the table that's been designated for wine, examining the bottles in the interest of trying something different (hasn't that been happening rather often lately) before letting his eyes slide over to her.
“That necklace is lovely,” he says.
no subject
To the untrained ear, she sounds 'probably French'; the more experienced listener might realize that what it mixes with is a Hungarian accent, lingering when she speaks both French and English and not a terribly large leap to make with her surname. To the very experienced listener, on the other hand, there's something slightly off about the way that she speaks - something else about it, hard to define or put one's finger on, unidentifiable but persistently not quite aligned. About the only thing that can be absolutely sworn to beyond a shadow of doubt is that her native language couldn't be English, though the care she takes with her thoughts - the considered, unhurried way she approaches conversation - seems as if it'd be the same regardless of language, a quirk of her own and not necessarily tied to being ESL.
Scrupulously polite, on that note, she offers him her hand: “Dr Vanessza Bernát.”
no subject
Five months in this place, and he still feels like all his knowledge no longer has a foundation.
(Put it aside.)
He takes her hand with equal politeness, pleased by the traditional manners if not by the touch. “Mycroft Holmes.”
His mildly pleasant expression changes a bit around the eyes, then, into something more acute. “If Ms. Adler is giving you gifts for your services, you must be quite talented.”
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
The room is legible at a glance, elegant scrawl read with bemused appreciation: Irene Adler's apartment doesn't let you forget it's Irene Adler's apartment. He looks around, picks out faces from the network.
He smells of cigarettes. He's empty handed.
no subject
"Are you fashionably late," she murmurs- it takes her mere seconds to be close enough to murmur- "or was your decision to arrive as last minute as your actual arrival?"
no subject
“It's your party,” he says, shrugging out of the question. “Fashionable or impulsive—take your pick, Miss Adler.”
He looks at her directly just then.