oh reckless, a boy wonder (
gramarye) wrote in
multiversallogs2012-05-23 01:31 am
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Entry tags:
[ closed ] teeth of mangled little listeners
Who: Benji and Wolfgang
What: This dream is contaminated.
Where: Dreamscape
When: Nighttime, sometime late Ceidary
Warnings: Severe body horror, violence directed at children, will be edited as needed
The desert at night is comfortably cool. This far from any major city, it is also not as dark as it feels like it should be, because the moon and the stars are out in such bright clarity that they light up the whole landscape. Of course, it's hard to tell exactly whether there is any major city anywhere at all — there's nothing around as far as the eye can see but more desert. This could be anytime at all.
It's the convoy of trucks rolling in that telegraph the time period — they all look roughly circa the 1940's. They're all black with black-tinted windows except for the single silver Cadillac with them. The glare from their headlights is visible a long way off in the distance and for an indeterminate amount of time, that's all there is — headlights coming closer, illuminating small patches of desert before them. Why they stop where they do is anyone's guess, but they do stop and the doors of all those cars open, people spilling out — white men and women in suits that are at least weather-appropriate; it's about 15°C. What they're saying, in spite of the distance, is more or less audible. They're mostly British.
"Are you sure this is where she is?"
"Absolutely certain; the readings are off the charts."
They're carrying weird gadgets, almost comically so, like something out of a 40's pulp science fiction comic, almost as if they were scavenged out of materials found in someone's garage, all buttons and dials and long antennae. The cartoonish deedly-boop noises they make are enough at odds with the general tone of the rest of this scene to edge it towards surreality, but the deadly economy in the faces of the men and women wielding them swing everything back around to menacing.
This could be a child's reimagining of technology they do not understand.
They're spreading out in grid-like patterns, combing the area for something, obviously searching. A woman stops to open the trunk of the silver Cadillac and remove a case, inside of which is something that is not at all cartoonish or funny — a modern assault rifle, like the LSAT assault rifle. She's loading it when one of her colleagues glances over and scoffs.
"You're really going to use a gun?" he asks.
"Shut up, you idiot. It's Primium." She locks the magazine into the weapon and wields it like it weighs nothing at all.
"Christ. Is this really necessary? It's just a kid."
Above them, the stars shine on indifferently, but something is wrong with the constellations. None of them are recognisable, and they should be here, because this is Earth. None of the men and women searching the desert pay that any mind; they have something more important to do than pay attention to the exact configuration of stars.
Behind a dune thirteen meters away, something moves. Something that sounds human.
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But reality tempers what he can create through imagination, even in Baedal, where consensual reality is less rigid. The things he thinks about don't usually come to life.
"Yes," he says.
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For now, she smiles, small, and looks away. Waking is sudden, as it usually is with her. Not alarming, exactly, just immediate. Wolfgang was sitting in the bed of a truck, and now he is in his own usual one, still groggy, still tired, as uneventful a transition as any push into wakefulness. If it's morning, it's still early enough for it to be dark, the air cool and quiet and shadowy.
It's not very long after that he'll hear the sound of someone else moving through the hallway of the second floor, headed downstairs. It's sort of a super implicit invitation, but the kind that Wolfgang can ignore politely; Benji is making tea for herself regardless as to what company does or does not join her.
It's a ritual.
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The sound of his footsteps on the stairs, then the back screen door opening and banging closed. The kids are asleep in the backyard now that the sky jellyfish are gone, and he's not making any sound. If he's hysterical or crying or puking, he's keeping it to himself. He just needs a few moments alone.
Footsteps again upstairs, a pause, then downstairs again. When he appears in the kitchen, he's thrown on a robe. It doesn't fit him well, he's drowning in it. His feet are bare and his hair sticks out in every direction, a giant fluffy white mass on his head, making him look a bit like a lion. The dark circles around his eyes are normal.
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"Good morning. Um." Both hands move, gesturing in a tada offer towards where a ceramic teapot rests on stone, containing a tea of rooibos and other fragrant additions.
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But then he moves, shuffling in, and sits down on a chair. Wolfgang pulls his legs up to his chest, feet balanced on the edge of the seat, the same posture his dream-self had, but this isn't new, either. He never just sits down like a normal person.
He rubs at his face like he can wipe the sleepiness away. "Sorry," he says, which... yes, that's how he's going to begin.
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So this nice; they are both half-asleep. She's managed to finger-comb her hair into submission, eyes droopy enough while perfectly awake at the best of times, but at least she can focus, and this she does. A sympathetic anxiety is also kept leashed, although it will probably creep into her tone when she speaks.
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Wolfgang gestures at his head. "For... that." Being disturbing, not containing it well — he's apologising for it having happened, for not having thought ahead and remembered that she has these powers and he has recurring nightmares. He feels inconsiderate, like he should have remembered and done something proactive about it, and guilty because it's his fear of his magic and what it could do to his mind that's kept him from doing so.
It's very hard to convey that much in two spoken words, and his tone is shaky, bordering frustrated that he can't say all that out loud. This is difficult to process on top of the residual feelings he has from the narrative of that dream. He picks at the grooves in the wood of the table with his nails. "I should have done something about it," he ventures, finally.
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"Which was nice of you, but rest assured, I don't blame you for me being obtuse." Another sip of tea, one of those fidgets she does to stop herself from talking more. "What might you have done about it?"
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"Blocked my head off. Something." He leans forward, bracing his elbows on the table, his hands running through his hair and getting stuck in the tangled mass it is. He makes a face and pulls them out. "Put a big wall around it. That's not real," he adds, barely pausing between that subject change. "I mean, I think it's not. I don't think it's dangerous."
He doesn't think...
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There's not the sort of answer she was hoping for, but it was the one she is coming to expect. Her mouth press into a line, neither wishing to agree with that sentiment nor wanting to argue, tipping a look into her tea before bringing it up to sip. Then, she sets it down, with a more definite click. "I'm sorry, too, for prying. You don't have to block me out. I'm going to go back to sleep soon and wake up again and remember I had a particularly frightening dreamwalk, no harm done."
More or less. She drags her attention back up. "But what are you going to do for it? I mean, it was so terrible."
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He shrugs, frowning back down at the grooves in the table. "Just... deal. I guess." He fidgets suddenly, tugging on his hair, chewing on his nails, stopping only when he gets a flake of nail varnish in his mouth. "It's not real, is it?"
It comes from a real place — real memories of real events — but the dream itself is just a recollection; when he wakes up, it ends, and his body is fine. When he says it, though — it's not real — he sounds uncertain, as if the distinction doesn't occur to him naturally. It's not supposed to count if it's all in your head. But if other people see it and experience it and are affected by it, does that not make it real?
He looks sort of miserable.
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"I don't know what 'unreal' is supposed to be if it's something that happens. You've had dreams like that before. The..." Her forehead wrinkles, briefly, unsure what to call it, dream-like abstractions always harder to grapple with when she wakes up. "The shape," she says, finally, feeling a little silly for it.
Her blunt fingernails tap against the edge of her cup. "It was foreign, I think. We all have conflicts and nightmares, but it waged war on you. Or... I don't know. I guess not war." No more than storms are war on the sky, or black holes are war on space. She lifts her tea to sip, glancing at him over the top of it. "But it was exceedingly not nice."
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And hard to talk about, given how his anxiety ramps up about 200%. That was a good answer, though. About things being real. "When I imagine things, sometimes, it makes them — it gives them power. Dreaming makes it stronger. It makes it hard to tell the difference between real and... not, dreaming and awake." He is staring straight at the tea. There's not a lot of eye contact going on in this conversation.
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She feels a bit silly, talking about gods at all, but she's given it thought. Read about it. "One in Howl Barrow, I think. They could maybe help, if-- I'm not sure I can, the way it kept eating through. But we could both go, if you like."
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"It's fine," he says after a moment, tugging on his hair. "I can handle it."
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"But if you ever need to talk it through, I don't have to do it when asleep. And you, uh, know where to find me." Be less of a dork, Benji.
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