lucius malfoy (
amourpropre) wrote in
multiversallogs2012-04-20 11:01 pm
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Entry tags:
they're dancing on the roof and the ceiling's coming down
Who: Lucius Malfoy (Sr) and Benevenuta Crispo
What: Lucius continues to do the swap meet party a favour by not meeting up with anyone inside of it.
Where: Syriac Well
When: Backdated to Sukkardi the 14th of Haneden.
Warnings: TBA.
He's had enough antagonism, for one week.
Which is a lie, because he could have just left Granger's book somewhere for her to collect, by courier or otherwise, but physically speaking, he could do with a break. There's a split dark and horizontal across the bridge of his nose, and something's happened to the arm he used to block that one curse, decidedly unpleasant and nonmagical. The elder of the Snapes was rude enough to depart for wherever it is he came from, and Lucius was rather out of essence of dittany, the discovery of which had nearly moved him to do a little property damage out of sheer impatience, but he'd held back. Because he was tired.
He has had a little to drink, not in excess, but any middle aged man with his particular disposition sort of points to excess anyway. Both this and the coat he wears staves off any cold that might have befallen the later evening, as he sits with a kind of weary patience upon the wooden bench just near Vanessza's building. It hasn't rained lately, but pink leaved trees have collected enough moisture for the occasional patter of water to break the evening silence. He has a leg folded over the other, and though he had seen her leave alone, he takes some morbid amusement from the idea of if she hadn't.
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--it is unkind of her to consider just going in, for just a moment, but she has had a bit to drink and he always does need to be wrangled, but he is in his way something comfortingly familiar. A man who can be managed is, so often, her preferred sort.
“All right,” she says, instead of a greeting, and then holds out her shoes and purse. If he's coming in, he's making himself useful.
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Sort of. Perhaps it would have been a good idea to quit his latest brawl around when he was being thrown across the room. He gets to his feet, anyway, in no position to complain, making his silent way over to accept purse and shoes. It is a good way of communicating that he intends to behave, rather than arriving expressly to pick a fight.
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“What have you done to yourself, Lucius.” It's not quite an actual question-- there's an odd, quiet affection. “It's good you came. I have something for you-- I'll put coffee on and you can show me what you've done, first.”
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It's funny, though. 'What have you done to yourself'. Get it. Yes.
"Well. I thought you'd appreciate better company," is as dry as baked clay.
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His mood, is apparently, one disinclined to chatter, at least not across the room as she sets about her task in the kitchen.
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She wonders if she gets more introspective when she's been drinking. Likely.
Benevenuta sets down the second mug on the low glass table in front of Lucius, and sets herself down beside him. “Let me see.”
Perhaps it is, in its way, vaguely complimentary that she assumes he must be injured somewhere she can't see as well as the knock in his face, and not just that he's backsliding towards Hobo Chic again.
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The injury that's seized up his wrist, discoloured skin and only a mild amount of swelling, probably speaks of injury that needs little more than ice and rest, and didn't get the basics in first aid when initially received. However;
"I was hoping the good potions master saw fit to equip you with something to speed this along." While she's had wine, he's had whiskey. Coffee, as stated, will help.
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After a moment, she gives him his hand back and gets to her feet - at least a little salve doesn't ask anything very complex of her, which is probably for the best. She's still studying the majority of what she's stocked with, and for that reason she is still almost fully stocked with what she's purchased, but she's more comfortable using it with a wizard than she is someone unaccustomed to its practise.
Heading upstairs to collect it - maybe she should change, no, it's fine - she rubs absently at the back of her neck, rolling her head to one side, curling her toes on the cold wood. It'll only be a minute. He can drink some coffee.
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Remembers, then, that she'd expressed gratitude in the form of convenience that he'd come. He'll have to ask why.
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“Sleeve,” she says, peremptorily, carrying a small bag with her as she sits back down.
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Sleeve: out of the way. Disposition: unchanged. He sets the coffee aside as well, creaking out of his position so that he might better face her a little when she sits down. Conveniently, he isn't in much of a rush himself. "I suppose it mightn't please you to know that I won," is-- supposed to be humour? Maybe? His tone never makes it very easy to tell.
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All things considered, it seems like the sort of question better not answered.
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Well, just about--
“Ah,” she says, quietly, fitting the brace carefully to his wrist, “so that is my prize.”
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Presence or lack of further injury goes without note or assurance. "I would have you think it complimentary that you're on the forefront of my mind upon injury."
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Then, “I have something for you, from the--” there's some gesturing here, intended to encompass 'bullshit god nonsense'.
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"The gathering," he supplies a vaguely polite term for what he also feels to be 'bullshit god nonsense'. "Despite my very best efforts not to participate more than strictly necessary."
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Still, she goes to fetch the album from under her coat, rubbing at the back of her calf with one foot when she pauses to unwrap it and try not to spill the contents of her coat pockets or anything else on the side-table in the process. Bringing it back to him, there's something she lifts out of the front cover for herself before she offers it up.
“But, I think, this is yours.”
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The album is taken in both hands, a hesitation before he flips it open to just briefly see where the pictures stop so he might best confirm that it isn't intended for his alternate. The actual pictures themselves, shifting uneasily in their frames, are barely looked at, before it's closed again.
"So it is."
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It doesn't occur to her presently that she doesn't think of herself as audience to his experience. It's hard to tell whether she presumes a closeness or a distance, precisely - whether she is welcome or if she simply thinks of herself as so far apart to be outside of the possibility.
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He's on his feet, moving to stow it away with his coat, although-- with exception to an unfinished mug of coffee-- part of him insists that all business is attended to and he should make his retreat. The rest of him knows that that's just feeling disarmed, which is irritating. "Yes, quite," sounds distracted, and then more presently; "You'll forgive me if it was any kind of surprise." That he hadn't made an attempt at mentioning his family, for all that he'd considered doing so if only to complain to someone who would listen.
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Benevenuta is not known for being a teller of truths, but-- still. She doesn't say that.
“I don't imagine I am keeper of all your secrets.”
Just a few; like he had a few of hers.
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He glances back at her, and winds up taking up his coat to drape over an arm, stiff with regard to injury but by now a little used to navigating around it. "I'll leave you in peace, then," is pretty graceless, but he hasn't felt graceful in a while, and still half-distracted.
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(There's a thought that crosses her mind, but that can wait until he isn't injured and she hasn't been drinking. It'll be easier to talk him into if he's not nursing wounded pride.)
So she stands, to see him out (all the way across the room, yes): “Goodnight, Lucius.”