oh reckless, a boy wonder (
gramarye) wrote in
multiversallogs2012-03-31 08:25 pm
Entry tags:
it's all right, ain't no God in my eye
Who: Wolfgang and Xas
What: Xas a roof is not a bed. Get a job.
Where: Chimer
When: Late Ged, before Samsdream, evening
Warnings: idk will update if needed
But that left him with a more pressing concern -- namely, where he was going to sleep. His friend Kahnde -- the one who kept trussing him up and dragging him around to parties thrown by Baedal's new money eccentrics, as well as the one who kept him in supply with the medications Wolfgang desperately needed -- offered him a place to stay and he couldn't turn him down. It makes him uncomfortable to stay there when he knows he's sort of leading the xenian man on -- but Kahnde also took the siege extremely poorly as several of his friends had died rather gruesome deaths. Wolfgang came out here partially as a babysitter. He's a bit worried about Kahnde doing something drastic.
The townhouse in the urban half of Chimer is a large property considering it's inhabited by only one person. The architecture is typical Baedalite weirdness, a mish-mash of various time periods, and the whole thing is painted an unfortunate shade of puce. It's got a flat roof upon which are mounted several solar panels for power, two balconies, and a superfluous amount of windows that at least offer a fantastic view of the beach.
He sleeps an awful lot, which means the hours he's awake tend to be ... odd. He sleeps very deeply these days, waking only if he's touched or if one of his dreams ends, and the latest one -- a very strange one that only further blurs the line between reality and fantasy for him -- lets him go just when everyone else is starting to go to bed. Well, fantastic. He's rubbing the sleep from his eyes when he hears it -- the distinct sound of something in the walls. No, not in them: on them. Something's climbing up the side of the house, towards the roof.
The fuck.
He freezes for a moment, then decides the last thing they need is a burglar or giant rat or something. Whatever it is, he can handle it, he's pretty sure, which is why he comes out on the balcony alone, his hair sticking out in every direction like he stuck his finger in a socket, as he looks up for the source of that sound.
It only occurs to him after he gets out there that whatever is out there could very well be a leftover monster. Oh. Well. Oops?

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It's interesting, and easier than hearing about how they might all be trapped somewhere closed-in and limited, like flies under a glass.
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He does stop to brush his hair. You don't talk to angels looking a mess.
He pulls it back out of his face in a loose braid and is just tying off the ends when he emerges from the front door onto the street. If nothing else, he at least looks less like an electrocuted lion. Just a sleepy one.
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He's still on the ground when Wolfgang comes outside, but he's quick to swivel up onto his feet and tuck the book under his arm, thumb hooked through one of his suspenders. "Oh, I did wake you up," he says, though it's too late for him to feel sorry for it now, and wiggles his free fingers near his own hair to indicate what he means. "I thought maybe it was cultural."
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Then he stops himself and tries to school his expression into something cooler, which is a losing battle. This just in: Wolfgang is not cool. "You're teasing me."
He does make it really easy.
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Honey.
"But I did it to myself, so..." True: it's this long anymore because people kept telling him how "handsome" he'd be if he just "looked normal". Spite, as it turns out, is a terrible reason to style one's hair. Back on the subject of where he's from and not how Baedal is basically a prison, though: "There's a lot I miss here. Books and music, mostly. I mean, there are books and music, obviously, just... the ones from home that they don't have here."
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"Yeah," he says. He looks away to sidestep a passing pedestrian and slides both his hands into his pockets, book caught in the crook of his arm. "Anything in particular?"
He's been trying to find jazz - did find it, once, but it had unfamiliar instruments and an altogether different feel. Probably of a different time, maybe of a different planet. Anyway, it didn't do a thing for the homesickness; he just sat there missing his friend Millie, benzedrine, and Duke Ellington.
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"And music -- gosh, you'd be from before... like, the Beatles. The entire birth of rock." That's a bit of a headfuck, actually, most of the people he talks to are either from the future or from worlds so alien there's no common ground to begin with. "Even the popular stuff with that is hard to find here. Like, David Bowie, Pink Floyd, Leonard Cohen, Bob Dylan, Morrissey... and forget about anything lesser-known or, you know," he raises his hands and does some finger quotes, "foreign."
It is really weird to feel like a foreigner in Baedal. Everyone is foreign here, but...
He nods his head at the book. "What are you reading?"
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Or both. Both is a distinct possibility. He'd bought it off a bargain table, without considering why it might be there, because he liked the artwork on the dust jacket. In any case, he'll read it through.
"I know Arabic," he adds belatedly, then reconsiders and amends, "Or I - it was a long time ago." He hasn't forgotten it, but languages change (and are resurrected, apparently), and with that and dialectal differences and his antiquated vocabulary, it might not be any better for Wolfgang. He shakes his head. "You like rock music? Someone tried to explain it to me a few weeks ago. Made a lot of guitar sounds." He pulls a hand back out of his pocket to slide it down the neck of an imaginary instrument, much less enthusiastically than the other fellow had. "It wasn't persuasive."
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"Do you?" he asks, switching -- he definitely speaks modern Arabic. And his accent is ridiculous because Wolfgang is ridiculous. "The problem with language here is that the city lets you be understood if you intend to be, which is great unless you're trying to learn something new. So you're trying to speak another language with someone and you're not actually sure if you're hearing what you're hearing or if the city is helpfully translating. I'm not even bothering right now," whereas he was before; the change is clear in his broader vocabulary, greater fluidity, and less verbal static, "I mean... I try to speak English because it's good practise but it's also kind of a pain."
Yes, English is a dumb difficult language, unlike Hebrew which is natural and intuitive, jeez.
Watching that air guitar gesture, his face contorts like he's trying not to smile. He ultimately fails at it and laughs. "Yeah, I... it's one of those things you need to experience rather than have explained. There's a couple venues that do live rock shows, but whether or not you see anyone good, um... well, depends on the night. The music's not bad here, just different. Sometimes they play some Earth stuff over the radio but most of it's easy listening cr -- stuff. I guess they're talking about changing that."
There's that pause again. It's okay to cuss in front of angels, Wolfgang.
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Xas listens with his head tilted. It took him a lot of long nights listening to Ivie Anderson at Apex for jazz to start making sense to him. He can give the music here the same amount of time and effort.
He's about to ask if there's anyone good in particular he should look out for, but this time the aborted curse is too much. It makes him laugh, a quick and quiet exhale. "I hope you're not watching your mouth because of me," he says. "God may care - " His God, Wolfgang's, one of the ones here; he isn't worrying about which he means, because he cares equally little about all of them, thanks. " - but I really don't."
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"It seems disrespectful," he mutters.
... which. Honey. Really.
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It's half true.
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Wolfgang has a vague understanding that Christians believe in some kind of horrible flaming torture-pit that the souls of people who don't believe enough go to to suffer for all eternity, but the concept is pretty foreign and confusing to him, and has very little to do with what he's been taught about the nature of God.
... namely that He is not some kind of vengeful psychopath, because that's what that sounds like to him.
Anyway, result: he mostly knows about it from pop culture.
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"That's probably - that's good," he says, a bit distant, collecting himself. Once he's managed, he grins. "Either way, I'm not very respectable. I'm an animal with a famous owner. And now I'm going to say fuck at least once before you go home." Wait. "Twice."
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He throws his hands up helplessly. "This place is kind of a mindfuck." Then he looks at Xas sidelong like, so there, hah.
(He still feels vaguely guilty about it.)
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Maybe that means he's a bit of a hypocrite for not asking about Wolfgang's brand, even though it catches his eye again. Oh well.
"So books, and music," he says instead. "What else?" He eyes Wolfgang's face, trying and failing to gauge his age, to guess whether he should be asking about school or about a job. He's never been good at that. "What did you do?"
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"I lived in Izmir, before here -- in Turkey. Another coastal city, it's very much the same as Tel Aviv, in that... you know, they're both pretty secular and multicultural. It's a beautiful city, there's so much history there, and a lot of the ruins of the old city are really well-preserved." He talks with his hands when he speaks -- it's always been a habit of his but it's getting more pronounced lately. "But the politics there, um... they're a little volatile. Especially with language, that made it really hard."
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"The way to Hell is in Turkey," he adds, "at home. Near Tuz Gölü. But I haven't been back since - 1859, I think. And I never went to Izmir." He never went on foot at all, except the once. "Sounds like I should have."
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Wolfgang Einhorn. And he's pale, blonde and blue-eyed. His choice of pseudonym was deliberate.
"They want to assimilate all their ethnic groups so that there aren't any, just... one big Turkish nationality. And they'll do a lot of things to make it that way. In terms of language policing it's like the opposite of Israel -- they don't want to assimilate, they want to exclude, and fuck everyone else." He clears his throat. "Excuse me." That's less for his choice of language and more for blathering on about politics. He brushes his hair out of his face, looking a little sheepish. "So it's very different from when you were last there, yes. Lake Tuz, that's, what, Aksaray? I never made it out that far from Ankara. What's it like out there?"
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Xas illustrates with a swooping hand, down and then right back up. He could never stay too close to the ground without risking being seen, and when he did land somewhere he rarely moved more than a few yards at a time across the ground. Most of his memories of the world are more like maps than postcards - and he was content with that, at the time, but there aren't enough human words for air currents and clouds for him to be able to explain why.
"Is that why you moved from Israel?" he asks, and on its heels, "Is it where it used to be, on the Mediterranean?"
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He has to stop and think about what the region looked like before the 40's. "Mm. On the eastern end of the Mediterranean Sea, west of Jordan. It includes Jerusalem... or, well, most of it. Or all of it. Or half -- um, the Israeli government considers Jerusalem ours, the rest of the world... no. East Jerusalem is supposed to be the capital of the new Palestinian state, but um..." He spreads his hands in a helpless gesture, as in you see the problem there, yes.
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As for the rest of it... He shakes his head, almost as impressed as he is exasperated. For being so frail and short-lived individually, he thinks, people are remarkably tenacious as a whole. "Someday everyone is going to have to find someplace else to fight over," he says. Xas avoids Jerusalem on principle - or did, when visiting it might have been practical.
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He has a lot of feelings about America as an entity, although the individual Americans he's met -- largely here, he spoke to maybe a handful before Baedal and they mostly confused him, Jewish-American tourists with their weird entitlement complexes and neo-hippie backpackers in Beirut -- have been perfectly lovely people and not at all what he'd come to expect from television and Youtube comments.
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"I was in America before I came here." Came. It's the easiest way to think about it. He'd been planning to leave, anyway - because Lucifer had found him, and because Con wanted him gone - even if that plan had only been born in the few minutes between when he resurfaced in the ocean and when he turned up here. "They didn't seem - " He stops, shrugs; even if no one he knew was very interested in foreign policy, there was segregation and prohibition and self-righteous religion. He kept out of it, but he doesn't want to say that it wasn't so bad. "I guess that would have been a long time ago," he says instead.
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