"But," Angela adds with a firm tone that this next part is important, "Sometimes charging in is exactly what you need to do sometimes. You just need to decide which moment calls for which. Do one instead of the other and you might end up losing everything and nothing at the same time."
She begins on an outline of one of the twins as she speaks, slowly and thoughtfully both in her words and actions. Angela tends to zone out completely to anything around her when she's creating, but in this position, people expect her to talk to them. It's a little difficult to split her attention, but not impossible.
"I loved it. I went back a few times afterwards, but I wouldn't mind moving there permanently one day." Permanently is just a nice word for Angela to use, though her history of permanency has only been five years in the same state, not counting her childhood.
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She begins on an outline of one of the twins as she speaks, slowly and thoughtfully both in her words and actions. Angela tends to zone out completely to anything around her when she's creating, but in this position, people expect her to talk to them. It's a little difficult to split her attention, but not impossible.
"I loved it. I went back a few times afterwards, but I wouldn't mind moving there permanently one day." Permanently is just a nice word for Angela to use, though her history of permanency has only been five years in the same state, not counting her childhood.